About Me

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Either an author who fences, or a fencer who tends to write a lot. I found a passion for writing first, then I found fencing. I also found that the pen and the sword work very well together. The pen may be mightier than the sword but together they are much greater.

Thursday, July 13, 2017

What is a Feder?

Greetings,

What follows is a small portion of a paper I have written on the subject. There is a link after this portion if you are interested in reading the rest of the paper. I investigated it to find out more about this particular weapon, which I initially did not know very much about. This way I could better approach the subject of this weapon with a more open mind.

Cheers,

Henry.

The Short Answer

            While a long answer will be forth-coming about the federschwert detailing various arguments about the weapon and discussing what was used for and its history there is also the short answer to consider as well. The short answers cover such things as literal translations of the name of the sword from German to English. The slightly more in-depth discussions of the weapon lead to further investigations which will be presented further along.

The “Feather-sword”

            The first place people go for an interpretation of what a foreign thing is will be to translate the name of the object from the native language into English and interpret this into some idea of what this means thus, "federschwert - a lightweight sword. "Feder" is German for "feather," and "schwert" is German for "sword."" (Shackleford, 2010). This would seem to be a logical progression and explanation of the weapon, but leaves the reader with no real explanation of what the weapon is for.
This is where an explanation from a more use-approach comes in handy, “A Federschwert ("Feather swords") is a foiled practice blade with a large flanged ricasso and a thick but narrow blade used for longsword training.” (Wassom, 2016).

A School Longsword

            Wassom’s (2016) explanation of what a feder is begins to explain not only what a federschwert is but also what it is used for. There is also a physical description which is most useful. Further explanation of the form of the weapon is possible and even a hint as to its use,

“special fencing school longswords called federschwert, with a narrow rapier-like blade and more mass close to the cross, in the area called the schilt or the ricasso.” (Norling, 2011)

            With all this in mind there is the image of a weapon which is relatively light, blunt because it is ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Bibliography

Norling, R. (2011) “Sparring Swords – Introduction”, HROARR, http://hroarr.com/sparring-swords-introduction/

Norling, R. (2013) “The Whatchamacallit-schwert”, HROARR, http://hroarr.com/the-feder-whatchamacallit/

Shackleford, S. (2010) Spirit of the Sword: A Celebration of Artistry and Craftsmanship, Krause Publications, Iola, USA

Wassom, D. (2016) “Some Historical Swiss Swords Examined”, The Association for Renaissance Martial Arts, http://www.thearma.org/spotlight/swiss-swords.html#.WPge4PmGPIU

Tuesday, June 13, 2017

Being a Good Training Partner

Greetings,

Well this will seem a little ironic coming after my advice for the solo practitioner previously, but it is a subject which we all need to consider because sooner or later we will all be involved in a partnered drill, or in a partnered situation. This may be at our regular practice or at a convention or at some other sort of gathering. The partner may be someone who you have fenced with for years, or you may have literally just met them. All of the same stuff applies.

1. Don't Hurt Your Partner

Seems pretty obvious that we do not want to hurt the person that we are fencing with, right? Seems not to be the case with some. Some seem that they need to put a little bit more emphasis in on their strikes and other offensive actions. There is no need for it. If you continue to do this, you will simply run out of people who will be your partner and you will run out of people to train and spar with.

2. Follow the Drills

This means that if you are doing a parry and riposte drill and you are attacking, you are going to get hit. The only reason why you should not get hit is if your partner misses, and even then you should assist them so that you do. You need to do your part of the drill as faithfully as possible to ensure that the learning experience is fulfilling for your partner. You should be practicing your actions at the same time to make sure that they are correct. If you don't follow the drill you and your partner will not learn what is supposed to be learnt. If you continually not follow drills people will not want partner with you and you again will run out of people to train with.

3. No Additions

Even if you know what's coming next in the next drill don't make any additions to the drill. Wait until the trainer teaches the additional part of the drill. Your partner may not know about the new part and will be come confused, and will also want to focus on the current part. This also means that you should not really experiment with other options available as you may miss the point of the drill. If added defences so you don't get hit are not part of the drill, so don't add them. If you are supposed to get hit as part of the drill, you get hit. Additions to drills just show you as unwilling to follow instruction or arrogant, and not a good student.

4. Remain in Control

Some drills will be done at slow speed, some drills will be done at faster speeds. This will be determined by your instructor. It is up to you to remain in control of your actions. If you are supposed ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Saturday, May 13, 2017

Brutal Fencing III: A Question of Calibration

Greetings,

I wrote a previous entry on the subject of brutal fencing and its relation to aggression. This can be accessed here: http://afencersramblings.blogspot.com.au/2009/09/brutal-fencing-discussion-of-aggression.html. This post is aimed at one particular aspect of fencing and indeed brutal fencing and that is how hard one fencer strikes one another, this is sometimes referred to as calibration. Part of this entry goes to the reason why we actually engage in Historical European Martial Arts (HEMA).

What is meant by calibration?

Calibration for the purposes of this post, and indeed in my opinion, is the amount of force sufficient required by one combatant for them to acknowledge a blow as good. This means that the blow would have done them some physical harm if the weapon was sharp, in the case of a sword. Of course this means both combatants have to agree on what one another is assumed to be wearing. The level of calibration will be different if the combatants are assumed to be wearing some sort of armour as compared to if they are assumed to be not.

For the most part, a lot of HEMA, the assumed armour is nil, the combatants are assumed to be wearing no armour at all. This means that they are wearing normal street clothes, no padding, maybe a pair of gloves. This means there is no armour to cut through, or padded jacket to pound through. A couple of layers of fabric and then flesh. The armour, or should it be said, protective gear that is worn is worn for protection against injury not for the simulation of any armour.

Why hit hard?

This is an important question which has not really been answered properly at all, and some of the answers which have come back are quite disturbing. Do you want to injure people? If the answer to this question is "Yes", then I hope that I do not meet you and I hope that you do not turn up to my practice because you re not the sort of student I am looking for. There is no reason to injure people at all. It does not show "martial effectiveness" or anything of this kind, in fact you are borderline from having someone call the police about assault and battery.

Armour and Calibration

Combatants wear extra protective gear to protect themselves where they require it, this should not be a surprise. For some out there, they see this as a challenge, "You wear more armour, I'll just hit harder." The first thing to note here is that the attitude is just wrong. If you find one of these people, report him to your instructor immediately, if he does nothing, leave the school or group.

The problem we face is that as people increase their calibration, so protective gear increases, so calibration increases, so protective gear increases, and so on. One has got to give, mostly it is the bodies under the protective gear, resulting in injuries and people out for months at a time, and people leaving in droves because they can't afford the protective gear and don't like being hit that hard. This is a problem which can be stopped at the beginning by controlling calibration.

"Martial Effectiveness"

Discussing  the question of "martial effectiveness". It does not take as much force to damage flesh as you think. With a thrust it is ridiculously easy. With a cut, it is not much farther off that. We have all ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Thursday, April 13, 2017

A "Safe" Sword


Greetings,

The concept of a "safe" sword is one which is presented again and again to us when considering which weapons we should buy and which weapons should be allowed in tournaments and so forth. This is a concept which badly needs to be addressed and some of the basic notions which are attached to this also addressed. These are weapons which are being discussed, regardless if they have dull edges and blunt points, and they are being used as simulated weapons as well.

When a weapon is lying on the ground away from anyone touching it is safe. This is when a weapon is safe, as soon as a person is involved there is an element where safety is reduced. The safety is reduced both for the person who is picking up the weapon and also for anyone who is around the person wielding the weapon. This is regardless of whether it is a sword, an axe, a mace, an assault rifle, a handgun or even a missile launcher, the same applies.

The weapon may be dropped on the wielder's toe, or even on a by-stander's toe. The relative safety of a weapon has more to do with the person holding the weapon than the weapon itself. A person who is trained in the safe use of a weapon is generally safer than one who is not. A person who has had more experience with a weapon is generally safer than one who is not. It is the person who determines how safe a weapon is or is not.

The image which I have posted with this post, is one that I really like a lot, and it is very pertinent with regard to this discussion. A sword is a weapon therefore it is not designed to be safe. Its purpose is to strike another person with the intent to do damage (simulated or not) against them. The aspects of selection which are made for particular weapons due to temper, type of hilt arrangement, edge thickness, and point characteristics cannot change the fact that it is still a weapon, and therefore is still not safe. These points are merely risk mitigating factors.

The same can be said for any rules or regulations imposed by organisations and tournaments with ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Monday, March 13, 2017

Book Review: Scottish Broadsword and British Singlestick

Greetings,

Time for another book review...

Farrell, Keith (2014) Scottish Broadsword and British Singlestick, Fallen Rook Publishing, Glasgow

First thing that you will notice is that it is by Keith Farrell, an author whom I have reviewed before. Yes. What does this mean? It means that the style of writing is easy to read and ensures that the point which is being made is made in very good fashion without having to resort to overtly complex words.

The book itself presents a great reproduction of Roworth's Arte of Defence on Foot of 1804, this has been transcribed by the author rather than simply presenting a facsimile of the original or referring to it. By doing this he gives a clear print version of the original noting the original page numbers and using the original illustrations. This allows the reader to read what was written by the original author without having to muddle through all of the issues of the original text.

So, many people will just go straight into the treatise and start describing techniques and stances and so forth, this is not the case with this book. There is actually only a relatively small amount of the book which actually deals with "how to", just over a third, that being said, it is the perfect foundation for what is presented. This book is not just a "how to guide" but an educational guide about the weapon systems and this is more important.

What this means is that the book provides the background of the era in which they were set. This background explains how the systems of swordsmanship formed as they did. You will find that systems of fencing, especially modern sport fencing, developed out of the conditions that developed around them. If you understand the background of a weapon system and its background you can understand where this came from.

Further to this, after the treatise is presented, the author presents how the treatise should be studied. This means he gives points about how the lessons presented in the treatise can be used and what the modern swordsman should be considering when taking on this sort of study. These elements are important as the modern physiology is not typically prepared for this.

Needless to say that overall I am very impressed with this book. It is an excellent book for the beginning broadswordsman, and also of great interest to anyone who is interested in the history of Scotland especially in the 17th to 19th centuries. So needless to say, it got me twice.

You can purchase this book at the link below:
http://www.fallenrookpublishing.co.uk/scottish-broadsword-and-british-singlestick.php

Cheers,

Henry

Monday, February 13, 2017

Relax and Fence

Greetings,

We all know that muscles need oxygen, so we need to breathe when we are exercising, so this would be the reason why some time ago I wrote a post about the necessity of standing up straight in the on guard position (http://afencersramblings.blogspot.com.au/2010/06/stand-up-straight-and-relax.html). What you will notice about this post is that there is an element of the relaxation point in here as well. This element will be the focus in this post.

First point, when you are tense, your muscles tense unconsciously. This burns energy, so you are burning fuel without even doing anything. Relaxing will increase your endurance when you fence. Further, when your muscles are tense before action they move slower, when they are relaxed before action they move faster.

When people tense up one of the first things they stop doing when they make an action in fencing is breathing. When you relax, you will breathe properly, this means that your muscles will become oxygenated properly this also means that you will have more endurance. When people tense up another thing they stop doing is thinking and this is never good. The physical elements lead to the psychological elements.

Relax, take a breath and just fence. "Well that's easy for you to say." Why? What is so important? Are you going to die if your opponent hits you? Most of the pressures that are built up, we build up ourselves and it is up to us to remove them. It is not easy and it will take time.

Practice is for practice. This means that you are supposed to try new things. This means that you are supposed to make mistakes. The most important thing is that you learn from those mistakes. If you are not getting hit while bouting at practice, then you are not learning, and you are not progressing. If you have just learnt a new action or skill in a lesson, you are supposed to be trying it out in bouting. Talk to your opponent and tell them what you want to practice; maybe they will want to practice something too and then you can help them.

Release the pressure. Find out what is causing the pressure in your fencing. Find a way to release it. ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Friday, January 13, 2017

The Broadsword: A Curatorial Discussion

Greetings,

So again, this is one of my more formal discussions on a subject. This means that it is long-ish. The subject of the broadsword is one which has been of interest to me for a while now, and was prodded along more recently by studying the smallsword, and also the workshops at Swordplay 2016 given by Keith Farrell. There are various arguments that you will find going through this post, some of which will be of interest and some, I hope, will clear some of the myths away. Thanks goes to Keith Farrell for his editorial assistance with this piece and correcting me on a few things.

Cheers,

Henry.

Abstract

          Most curatorial examinations of weapons are dry and give little detail as to their origins or development. What follows examines the origins and development of the broadsword along with some of the issues which have accompanied this weapon through history to this era. This examination is a close look at the broadsword to demonstrate that previous methods of classification need to be corrected and that the history of a weapon is important as is its development. Only through the assembly of all the data about a weapon can a person have any idea about how the weapon would handle.

Introduction

          What follows is an examination of the broadsword. It is indicated by the title that this will be a curatorial examination, but this will be a little broader than most curatorial examinations as they are most often concerned with hilt construction. This has often led to this misclassification of weapons. Thus this investigation will concern itself with the entire weapon, but also more than that.
          To begin with there is the question of what is and is not a broadsword, to this point a definition will be examined and argued for and against, then another proposed. Following this will be a brief history of the development of the broadsword. The word “development” is used here and not “evolution” as it was a process which was affected by external and internal factors, and also had an effect upon other weapons of similar make. Next will be a discussion of the broadsword and the backsword, two weapons which are often confused, usually as a result of one or both not having a clear definition. Getting even more specific there is the question of the claymore and what is and is not one, a question which has been argued to and fro for many years.
After all these preliminary arguments have been established and some of the background has also been established. Then the weapon will be examined. The previous is necessary so that both writer and reader understand what is being discussed. The broadsword will be discussed in order of hilt, blade and then the weapon in general. This will give the differences in different nationalities of broadsword, specifically, English, German and Scottish and the differences between them.
There will be mentions of other weapons of similar classification. The backsword has already been mentioned above, and will feature in different placed in the investigation. The sabre will also be mentioned in the discussions, but more in passing rather than in any sort of detail. Finally, with regard to use considerations, this can only come from the knowledge of the weapon as a whole. This discussion will only barely scratch the surface of that and give some very vague indications. The focus of this investigation is more about the form, origins and development of the weapon. 

Definition


“a broad-bladed sword used for cutting rather than stabbing. Also called backsword” (Collins English Dictionary, 2016)

          The definition supplied by the Collins English Dictionary (2016) is rather broad and covers quite a few weapons, it could even cover some forms of medieval sword as well, especially as the definition above does not in any way take into account the form of the hilt. What this means is that the definition needs some refining. The broadsword is most easily defined as a straight-bladed, double-edged, relatively broad-bladed sword with a basket-hilt that protects the hand. What needs to be noted here is that the previous definition did not take into account the hilt of the weapon which is a mistake often made in the curatorship of swords in that often all the weapon is not taken into account.
          The change in hilt is significant where the cross-guard was changed to a basket-hilt and is similar to that which is found with regard to the development of the rapier, and for similar reasons. The civilian rapier’s hilt developed to protect the unarmoured hand of the civilian. The more military broadsword hilt developed as armour declined as a result of the introduction of effective firearms to the battlefield.

The Broadsword Story


“they [basket-hilted broadswords] are most closely associated with the 18th-century Scottish Highlander.” (Holmes, 2010:106)

          When the broadsword is thought of, it is the Scottish Highlander which is first thought of wielding the weapon. The history of the weapon will reveal that they were not the only people to use the weapon, and indeed it could be claimed that they were not even the first. The discussion which follows will follow the development of the broadsword, for the most part, in chronological order. It will start with a more general introduction to the history and then examine the three important centuries of development, the sixteenth, seventeenth and eighteenth centuries. While this is not really designed to be a curatorial discussion, there will be curatorial elements present.
          To begin there must be a brief examination of the weapon which came before, and to understand that this was primarily a military weapon, rather than a civilian one, even though it found its way into civilian hands. Its history starts with the knightly sword of war, as armour was lessened the hilt had to develop to protect the hand. These developments are primarily noted in England, the result being that the English hilt is the common ancestor of the basket-hilted claymore and English military pattern (Oakeshott, 2012:176). More of this much-argued weapon will be discussed later on.
          There is a lot of argument about the dating of weapons and where they came from. This is for a multitude of reasons firstly weapons are difficult to date due to similarity in design and references found for the pieces themselves (Oakeshott, 2012:177). To accurately date something a design needs to be in print in some form to compare to and when the designs are common across an expanse of time this makes the dating even more difficult. This situation can be complicated even further in the case of many swords not just the broadsword with regard to the idea of re-hilting. In the case of the broadsword re-hilting was common, an old blade would be placed in a new hilt, or rarer old hilt and new blade would be put together (Oakeshott, 2012:179). Needless to say, this results in a weapon, if it manages to date both parts with a date for one part and a date for the other.

Sixteenth Century

          Previously it was noted that the broadsword was primarily a military weapon. It was also noted that it was a modification of the knightly war sword, answering the need to protect the hand. After 1520 the knightly war sword acquires a more complex hilt, changes at end of the sixteenth century to the proto-typical forms of broadsword of 17th and 18th centuries (Oakeshott, 2012:126). These developments were in answer to a changing situation on the battlefield where armour was being reduced in answer to its lack of effect against firearms. The speed of which the development came is impressive.

One of the earliest basket-hilted swords was recovered from the wreck of the Mary Rose, an English warship lost in 1545. Before the find, the earliest positive dating had been two swords from around the time of the English Civil War. At first the wire guard was a simple design but as time passed it became increasingly sculpted and ornate. (Wikipedia, 2016)

          In a relatively short amount of time, the hilt of the weapon became more and more complex resulting, by middle of century hand protected and surrounded by plates, bars lined with leather or fabric (Coe, 1996:73). This is not a simple operation as can be told by anyone who has assembled a sword of such complex parts. What needs to be noted here is that the earliest hilt here is not Scottish, but English.
          Rather than being nationalistic about where it was invented at this point in time, the important thing to note here is that, the ancestry of broadsword hilts found in those that evolved by 1570s and survived (Oakeshott, 2012:156). It was this pattern of basket-hilt which was spread around and resulted in developments in other places. It should be noted that the beginnings of broadswords of 18th and 19th centuries in German experiments of c.1600 can be seen (Oakeshott, 2012:156).
          What is most interesting is that the weapons which were developed by the English would have to wait until toward the end of the century to cross over the borders of the closest neighbours, and thus would gain a new name, and not the one expected. As in the last years of the sixteenth century basket hilts associated with Highland Scots, known as ‘Irish hilts’ in early seventeenth (Oakeshott, 2012:176). More to the point many of these would be sourced from Continental swordsmiths.

Seventeenth Century

          In a typical Victorian fashion many have attempted to classify the broadsword hilts of the seventeenth century to try and see if there are any patterns of development, but not with much success, “Any attempt to specify prototypical patterns for the broadsword hilts of the seventeenth century would be doomed to failure,” (Oakeshott, 2012:173). This is for two clear reasons the first of which is that the broadsword hilt spread to different nations and was thus changed and developed as according to their own requirements. The second is that, “Basket hilts underwent various changes during the course of the [17th] century.” (Coe, 1996:74), and when these two are combined, there are too many variables to be tracked.
          What is known is that, “Basket hilts continued to be used during the seventeenth century, especially in England and Scotland” (Coe, 1996:74), which is of little surprise due to the origins of the hilt itself in the sixteenth century as indicated above. More to the point it is also here where most of the fame for the broadsword is found. While the Scottish hilt seems to dominate in popularity and in form and construction, English hilts of same period are often of fine construction (Coe, 1996:74). The other thing that should be noted with regard to this is that with regard to the origins of this weapon, it has a distinctively English heritage.

“Scottish it was, even in the seventeenth century, and exclusively Scottish it became, but England has good a claim to it, for it originated in that country. However, since it is always called the ‘Scottish’ sword ... it is necessary to observe the distinctions.” (Oakeshott, 2012:170)

          One of the most useful things about the popularity of an item in the historical record is that sometimes it makes it easier to track through the historical record because it was more likely to be recorded, and also because it was more likely to be researched and thus the information brought to light. In the case of the Scottish broadsword both are the case.

“The 1881 Ancient Scottish Weapons had this to say: The broadsword first appears in formal record in Scotland in 1643, when, along with the Lochaber axe and the Jedburgh staff, it constitutes part of the equipment of the levies then called out by the Convention of Estates, From 1582 to 1649 a "ribbit gaird" often appears as the "essay" of the armourers of Edinburgh, but in 1649 it was changed to "ane mounted sword, with a new scabbard and an Highland guard."” (Scottish Tartans Authority, 2016)

          This clearly dates the first official record of the appearance of the “Highland guard”, clearly what was to be known as the Scottish hilt later on, and fills in another piece of the puzzle of the history of the broadsword which otherwise would have remained unfound. The seventeenth century served as a kind of formative years for the Scottish hilt in which it developed and took its shape. Needless to say that there were many variations of hilt through the period, as a curatorial discussion will find, but eventually will settle on a single one.

“The Scottish basket hilt, with its traditional heart-shaped piercings and large square plates, seems to have appeared in the second half of the century [17th] and remained in use for over a hundred years.” (Coe, 1996:74)

Eighteenth Century


"During the 18th century, the fashion of dueling in Europe focused on the lighter smallsword, and fencing with the broadsword came to be seen as a speciality of Scotland. A number of fencing manuals teaching fencing with the Scottish broadsword were published throughout the 18th century." (Wikipedia, 2016)

          While the Wikipedia (2016) is not the most reliable source the information presented above is accurate. Most of the Continent was focused on the use of the smallsword and thus most of use of the broadsword was left to military matters. Being a more “native” weapon to the Scots, manuals for the use of the broadsword were also published alongside those for the smallsword.
In the case of the broadsword, the stage of full development had arrived, “The basket-hilted sword, in which the entire hand was protected by a leather-lined cage of bars was made in many variations throughout the eighteenth century.” (Coe, 1996:85). The complete hand was protected and the weapon was established. In the end, the broadsword would serve more as a military sword rather than a civilian sword and, “The variety of basket hilts found on eighteenth-century military swords is enormous,” (Coe, 1996:86). One thing that can be said is that the Scottish type was the more dominant form later due to its developmental stages.

“As for the ‘Scottish’ sword, in its earliest forms it as uncompromisingly English, and remained a standard English pattern far into the eighteenth century; only very late in the century did it become exclusively Scottish.” (Oakeshott, 2012:170)

          The Scottish form of broadsword was to dominate in form and function and became the more dominant form of hilt for the military. Even in the backsword form, the “basket-hilted backsword of about 1766. Swords of this pattern were fashionable for officers in the last quarter of the eighteenth century.” (Coe, 1996:86). The effect of the popularity of this form of hilt type can be seen in popular culture as for the most part when a basket-hilt is seen it is compared to the Scottish form. Instantly the broadsword is associated with the eighteenth-century Scottish Highlander, and also the Highland Regiments of the British Empire which followed.

Broadsword or Backsword?

          To delve into the question of the broadsword is also to come up against all sorts of different questions and be confronted by different weapons which may claim to be the same thing when in fact they are not, and sometimes they are. One of the first stops along this path is the backsword. This is the first question that must be answered, what is the difference between the broadsword and the backsword, where is the line drawn between the two, or is there one to be drawn? The answer to this is actually relatively simple, but some other things have to be taken into account.

“The Basket hilted sword was also called the Scottish Broad Sword. There was also a version called the claidheamh cuil which means back sword. The back was blunt with just one sharp edge.” (Watterott, 2016)
         
What can be seen here is that the concept of the backsword is actually quite found quite far afield. In this case there is Scottish Gaelic for the term backsword meaning a weapon which has only one sharp edge, so in essence the idea stands on firm ground. When it comes to the broadsword it is the Scots who would seem to be the experts, as for questions about the “claymore”, they will be answered later on. In our contemporary society ideas of curatorial differences in weapons based on form rather than function still hold true, “Where the blade has only one cutting edge it is known as a backsword.” (Akehurst, 1969:8). This does not take into account the use of the weapon merely the form of the weapon.
          One of the more interesting discoveries which came out of this research is that the weapons, both the broadsword and backsword were claimed as cavalry weapons (Wagner, 2004:20). This is most interesting as it is the Scots Highland Regiments which were primarily infantry units where the broadsword is most known from, not to mention all of the evidence from manuals which points to using the weapon on foot. Further in the same discussion he claims that the weapon, “had a straight blade, originally two-edged, later only one sharp edge. These weapons were uniform in character,” (Wagner, 2004:20). What should be noted is that it is the two-edged broadsword, of the infantry version which will be the primary focus of this study and that in the sources which describe the use of the weapons both terms were used to describe the same weapon meaning the difference is more a question for curators, rather than those interested in its use.

What is a Claymore?

When the word “claymore” is said two weapons are immediately thought of, a two-handed weapon of medieval origin and also the basket-hilted broadsword more associated with a later period. The question remains as to which is the “claymore”. Of course it would be simple just to use a modern definition.
The Merriam-Webster dictionary defines a “claymore” as “a large 2-edged sword formerly used by Scottish Highlanders, also their basket-hilted broadsword” (Merriam-Webster, 2016). This is rather confusing as it actually indicates two weapons a large one and also the basket-hilted broadsword. What this means is that the common confusion as to what a claymore actually is continues. The aim of what follows is to bring some of this discussion out and find a solution to this question.

“Perhaps the most famous version of the broadsword is the Scottish claymore. Though claymores were originally two-handed swords usually with simple cruciform hilts, their most famous incarnations were fitted with basket hilts, these swords became iconic weapons of the Highland Regiments that fought for the British Empire.” (Soud, 2014:53)

          Soud (2014) would indicate that both were named “claymore”, both the two-handed version and also the basket-hilted version, and that the name was carried through from one weapon to another. Thus for this author it would seem that it is not a matter of naming convention which is the problem, merely that it is a problem with naming the correct era which is being spoken about. For him there would be a “medieval claymore” and a “basket-hilted claymore”. Unfortunately, this does not take into account the origins of the word or where the weapon came from.

“The long two hander was called a claidheamh dà làimh, translated it literally means two handed sword. … In the romanticised period after the Jacobites the term Claymore was then applied to the long medieval sword.” (Watterott, 2016)

          Watterott (2016) examines the native language from which the term “claymore” came from, Scottish Gaelic, presenting the name of the two-handed sword in the language and giving the reason that it was changed to the more familiar one in the later period. This would seem to give more evidence than the previous explanation of giving both weapons the same name. Further to this he explains why the basket-hilted weapon is correctly named “claymore” using similar evidence.

“The Scottish version [of the basket-hilted sword] was broader than similar swords of the time. This sword was called a claidheamh-mór. This is Gaelic and translates into Great Sword due to its larger size than its contemporaries. It is well accepted that Claymore is derived from the Gaelic claidheamh-mór.” (Watterott, 2016)

          Watterott (2016) uses the original language and demonstrates through history the naming conventions of why the basket-hilted weapon should be called “claymore” and the two-handed weapon ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Bibliography

Akehurst, R. (1969) Antique Weapons for Pleasure and Investment, Arco Publishing Company Inc., New York

Burton, R. (1987) The Book of the Sword, Dover Publications Inc, Mineola, New York (originally published 1884)

Coe, M. (et. al.) (1996) Swords and Hilt Weapons, Prion Books Ltd, London

Collins English Dictionary (2016) “Definition of Broadsword”, http://www.collinsdictionary.com/dictionary/english/broadsword, Harper Collins Publishers, Glasgow

Holmes, R. (2010) Weapon: A Visual History of Arms and Armour, Dorling Kindersley, London


Oakeshott, E. (2012) European Weapons and Armour: From the Renaissance to the Industrial Revolution, The Boydell Press, Woodbridge

Scottish Tartans Authority (2016) “Highland Weapons”, http://www.tartansauthority.com/highland-dress/highland-weapons/

Soud, D. (2014) The Illustrated History of Weapons: Swords, Spears & Maces, Kingsford Editions, Heatherton, Victoria

Wagner, E. (2004) Swords and Daggers: An Illustrated Handbook, Dover Publications Inc., Mineola, New York

Watterott, H. (2016) “Is it a Claymore or a Scottish Basket Hilted Broadsword - History Police 3”, http://slaintescotland.com/blog/history-police/item/41-is-it-a-claymore-or-a-scottish-basket-hilted-broadsword-history-police-3.html

Wikipedia (2016) “Basket-hilted sword”, Wikimedia Foundation https://en.wikipedia.org/wiki/Basket-hilted_sword