About Me

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Either an author who fences, or a fencer who tends to write a lot. I found a passion for writing first, then I found fencing. I also found that the pen and the sword work very well together. The pen may be mightier than the sword but together they are much greater.
Showing posts with label event. Show all posts
Showing posts with label event. Show all posts

Wednesday, March 13, 2019

Re-Inventing the Wheel

Greetings,

There are questions which are going to be asked about this particular post, like what is he on about? That is simple. There is the propensity for the Historical European Martial Arts (HEMA) community for re-inventing the wheel rather than taking perfectly good examples of things and either just using them or modifying them slightly to suit their purposes. This post will give three examples which seem to keep coming up as issues for the community which have been dealt with elsewhere before.

Why?

Why is it that in HEMA people seem to need to keep re-inventing the wheel? It is almost like that what has come before is just not good enough, or because it comes from another sport, or similar area and they do not want to be like them that they cannot use anything which is anything like them. There are three topics which have histories which are established which could be used as they are, or modified to purpose, yet they are not. This is, of course, causing people issues and in some cases injuries as a result because people are doing the hard work that has been done before all over again.

Armour

Armour has been around for literally thousands of years, yet when it comes to HEMA rather than looking at existing examples of armour and simply copying it or modifying the armour to suit, new armour has to be invented. The great saga of the gauntlet is the greatest example of this one that can be put up as a prime example. There were fully-articulate gauntlets manufactured and used in the medieval and Renaissance period. Why are they not just copied? Or at least the principles of their designs not copied? Its not like they did not work.

What I find really amusing about this one is that people in HEMA have been cobbling together protective gear from other sports or designing it based on other sports, and then realising that it has holes in it, which are not covered. Then these holes are being covered by examples which are found on medieval and Renaissance armours. Knee protection first just covered the front of the knee for HEMA, now it seems that fans are being added to protect the sides and give some protection to the back of the knee, which are, of course, found on medieval and Renaissance knee cops. Why go through the effort of having to find out what does not work when we already know what does?

Armour Standards

When it comes to the question of protective gear, each club or organisation will have their own ideas about what will be required for their own people. Obviously it will be dependent on the weapon that is being used, i.e. more will be required for doing longsword than smallsword. What is a little silly is that for the most part these standards are created on the spot from what the individuals think is reasonable. There is in existence an armour standard, for rapier at least, which has been around since at least the late 1990s which is an international standard, that being used by the Society for Creative Anachronisms (SCA).

Why not start with this and then add on to it? Obviously it is effective, and all of the hard work has already been done. Seems that some would rather not want to be in anyway associated with the group than use a standard which is known and works, which is ridiculous. Instead these people would rather go through the trials and issues of finding out what works and what doesn't, which puts their members at risk.

Refereeing

There has been a lot of discussion about how tournaments should be judged, whether one referee should be used and four linesmen, or one senior referee and one junior and two linesmen, or some other combination. My particular preference is to teach the combatants to call their own blows, I mean they are the ones receiving them so they would know the best if they have been hit or not. Some of this has started to filter into competitions and gradually it is beginning to hold some sway.

Again what we see is the HEMA community trying to re-invent the wheel when there is a system already available for them to use. This system is found in non-electric sport fencing. There is a presiding judge and one for each fencer. The presiding watches both competitors the others only watch their one fencer for a hit and indicate when theirs has been hit. Again, it is a recognised method with a recognised standard. It also results in using only three people and not four or five people to staff it, which has advantages when the staff are primarily volunteers.

Conclusion

Three different areas have been examined where standards or examples are have already been established, and yet in all three cases the HEMA community is trying to invent their own. The question has to be at this point in time, why? Is it an ego thing? Not willing to accept that maybe it has been done before? Or not willing to borrow from another group and thus admit that they may have some good ideas? Both of these are ridiculous reasons not to use ideas or standards used by another group and modify them to suit what is required. In most instances in the HEMA community, there is probably already an answer out there to the question which has been posed, it is a matter of finding the answer, and accepting that it is the answer. For some, it is the last bit that is the most difficult.

Tuesday, June 13, 2017

Being a Good Training Partner

Greetings,

Well this will seem a little ironic coming after my advice for the solo practitioner previously, but it is a subject which we all need to consider because sooner or later we will all be involved in a partnered drill, or in a partnered situation. This may be at our regular practice or at a convention or at some other sort of gathering. The partner may be someone who you have fenced with for years, or you may have literally just met them. All of the same stuff applies.

1. Don't Hurt Your Partner

Seems pretty obvious that we do not want to hurt the person that we are fencing with, right? Seems not to be the case with some. Some seem that they need to put a little bit more emphasis in on their strikes and other offensive actions. There is no need for it. If you continue to do this, you will simply run out of people who will be your partner and you will run out of people to train and spar with.

2. Follow the Drills

This means that if you are doing a parry and riposte drill and you are attacking, you are going to get hit. The only reason why you should not get hit is if your partner misses, and even then you should assist them so that you do. You need to do your part of the drill as faithfully as possible to ensure that the learning experience is fulfilling for your partner. You should be practicing your actions at the same time to make sure that they are correct. If you don't follow the drill you and your partner will not learn what is supposed to be learnt. If you continually not follow drills people will not want partner with you and you again will run out of people to train with.

3. No Additions

Even if you know what's coming next in the next drill don't make any additions to the drill. Wait until the trainer teaches the additional part of the drill. Your partner may not know about the new part and will be come confused, and will also want to focus on the current part. This also means that you should not really experiment with other options available as you may miss the point of the drill. If added defences so you don't get hit are not part of the drill, so don't add them. If you are supposed to get hit as part of the drill, you get hit. Additions to drills just show you as unwilling to follow instruction or arrogant, and not a good student.

4. Remain in Control

Some drills will be done at slow speed, some drills will be done at faster speeds. This will be determined by your instructor. It is up to you to remain in control of your actions. If you are supposed ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Thursday, August 11, 2011

Fencing Fest - The Keys to a Great Fencing Event

Greetings,

Well, for all my non-SCA readers, you will ask "What is Fencing Fest?" for all the ones who know about this event some of this is going to be pretty obvious/dull, but I hope that there will be at least some information useful to all. This blog is about an event that I have been running for a while and some of the keys that have made it a success in those years. I hope that my readership will learn from what is placed here and go on to have their own great events.

First, of all I must say thank you to all who made Fencing Fest VIII (5 -7 August 2011) the success it was. I could not have done it without you. In this I mean my priceless crew and also all of those wonderful people who chose to come along to the event as well. The event would not have been what it was without both of you. Yes, you can expect more praises in other mediums as well. Anyway, on to
the subject at hand.

Before I get on to the nitty-gritty of the event, I need to make something clear. I am not "letting the secrets out" in order to beat my own drum and show how great I am. The hope is that armed with the information presented here others may learn from it and be able to create great fencing events of their own. This can only be of benefit to the fencing community at large.

What is Fencing Fest?
Fencing Fest is an event which I have been running, or at least been involved in some part, now for eight years. It is an event which is primarily focused around the arts of defence as they are taught within the Society for Creative Anachronism (SCA) and to be more precise within Lochac (which includes Australia and New Zealand). The event itself started as a small local event designed to get fencers together for an event which was focused on fencing rather than any other aspect of the SCA. Over the intervening years the event has grown, dare I say it, to become the primary pure fencing event in Lochac.

Where did the idea come from?
Some years ago I looked about, there were events for every martial endeavour within the SCA, including fencing, it is true, but when it came to events with a focus on one of these arts, this is where it was different. Until Fencing Fest came about there was no event that could be found on the calendar which was totally focused on fencing. There were armoured events and archery events, but nothing for fencers of that kind. This is where the seed was planted.

The origins of Fencing Fest lay in an event which was purely focused on the unarmoured combatants of my local groups, to start with. This would enable the local  fencers to get together and fence and learn what they could without any chance of possible interference from anyone else. This is where the "give people what they want comes in". The event was planned around giving people as much fencing as they could handle in the time-frame allowed for the event. With the foundation stone laid, it was time to move on to the other things that held the event together. It is these things, these keys, which have enabled Fencing Fest to grow to the event that it has become.

Key 1: Fencing
For Fencing Fest it is the fencing that people come along for more than anything else and as such this must be put first on the priorities above everything else. Fencing Fest has ended up being a success because the event has lots of fencing and that is what people come along for primarily. What kind of fencing? Teaching? Competition? Either? Both? This depends on your audience.

The early events had a semi-fluid program that was finalised on the first day of the event in order to give people what they wanted. As the event developed and more and more people started to attend a pattern formed where the first day was primarily teaching oriented and the second was more competition oriented. In this way people get a taste of both through the event and thus most are satisfied with the outcome. The balance between the two options should be determined by the people attending the event and what they want, but the organiser should have some at least rough idea of how it all should be planned out.

Importantly keep the program as fluid as you can so that things starting late do not totally throw out the entire program. There will be delays that you cannot predict and it is important that the program is flexible enough to work with these delays. In a rigid program a delay of a mere half an hour, or even less can cause all sorts of issues. The most important thing with the program is to give the people attending the event what they want above all else, and that is fencing.

Key 2: Costs
Contrary to some thoughts about, the price of the event does not guarantee or determine the quality of the event. Some of the best I have been to have been cheap, and some of the most disappointing have been rather expensive. There are some good reasons to keep an event price low, but the best is the simplest. The lower the price of the event for people coming to it, the more people you will get along to the event. In the end this will actually result in the money being made rather than being lost.

....

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.