About Me

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Either an author who fences, or a fencer who tends to write a lot. I found a passion for writing first, then I found fencing. I also found that the pen and the sword work very well together. The pen may be mightier than the sword but together they are much greater.
Showing posts with label Society for Creative Anachronisms. Show all posts
Showing posts with label Society for Creative Anachronisms. Show all posts

Wednesday, March 13, 2019

Re-Inventing the Wheel

Greetings,

There are questions which are going to be asked about this particular post, like what is he on about? That is simple. There is the propensity for the Historical European Martial Arts (HEMA) community for re-inventing the wheel rather than taking perfectly good examples of things and either just using them or modifying them slightly to suit their purposes. This post will give three examples which seem to keep coming up as issues for the community which have been dealt with elsewhere before.

Why?

Why is it that in HEMA people seem to need to keep re-inventing the wheel? It is almost like that what has come before is just not good enough, or because it comes from another sport, or similar area and they do not want to be like them that they cannot use anything which is anything like them. There are three topics which have histories which are established which could be used as they are, or modified to purpose, yet they are not. This is, of course, causing people issues and in some cases injuries as a result because people are doing the hard work that has been done before all over again.

Armour

Armour has been around for literally thousands of years, yet when it comes to HEMA rather than looking at existing examples of armour and simply copying it or modifying the armour to suit, new armour has to be invented. The great saga of the gauntlet is the greatest example of this one that can be put up as a prime example. There were fully-articulate gauntlets manufactured and used in the medieval and Renaissance period. Why are they not just copied? Or at least the principles of their designs not copied? Its not like they did not work.

What I find really amusing about this one is that people in HEMA have been cobbling together protective gear from other sports or designing it based on other sports, and then realising that it has holes in it, which are not covered. Then these holes are being covered by examples which are found on medieval and Renaissance armours. Knee protection first just covered the front of the knee for HEMA, now it seems that fans are being added to protect the sides and give some protection to the back of the knee, which are, of course, found on medieval and Renaissance knee cops. Why go through the effort of having to find out what does not work when we already know what does?

Armour Standards

When it comes to the question of protective gear, each club or organisation will have their own ideas about what will be required for their own people. Obviously it will be dependent on the weapon that is being used, i.e. more will be required for doing longsword than smallsword. What is a little silly is that for the most part these standards are created on the spot from what the individuals think is reasonable. There is in existence an armour standard, for rapier at least, which has been around since at least the late 1990s which is an international standard, that being used by the Society for Creative Anachronisms (SCA).

Why not start with this and then add on to it? Obviously it is effective, and all of the hard work has already been done. Seems that some would rather not want to be in anyway associated with the group than use a standard which is known and works, which is ridiculous. Instead these people would rather go through the trials and issues of finding out what works and what doesn't, which puts their members at risk.

Refereeing

There has been a lot of discussion about how tournaments should be judged, whether one referee should be used and four linesmen, or one senior referee and one junior and two linesmen, or some other combination. My particular preference is to teach the combatants to call their own blows, I mean they are the ones receiving them so they would know the best if they have been hit or not. Some of this has started to filter into competitions and gradually it is beginning to hold some sway.

Again what we see is the HEMA community trying to re-invent the wheel when there is a system already available for them to use. This system is found in non-electric sport fencing. There is a presiding judge and one for each fencer. The presiding watches both competitors the others only watch their one fencer for a hit and indicate when theirs has been hit. Again, it is a recognised method with a recognised standard. It also results in using only three people and not four or five people to staff it, which has advantages when the staff are primarily volunteers.

Conclusion

Three different areas have been examined where standards or examples are have already been established, and yet in all three cases the HEMA community is trying to invent their own. The question has to be at this point in time, why? Is it an ego thing? Not willing to accept that maybe it has been done before? Or not willing to borrow from another group and thus admit that they may have some good ideas? Both of these are ridiculous reasons not to use ideas or standards used by another group and modify them to suit what is required. In most instances in the HEMA community, there is probably already an answer out there to the question which has been posed, it is a matter of finding the answer, and accepting that it is the answer. For some, it is the last bit that is the most difficult.

Tuesday, November 13, 2018

SCA Combat as a Living Tradition

Greetings,

For the most part when many people think of the SCA (Society for Creative Anachronisms) they think of "those people who dress up in funny clothes and do medieval stuff" rather than looking at it from any sort of idea of a martial arts tradition. For the most part SCA heavy combat is seen as two guys beating at one another with sticks until one or the other lays a blow on the other at which point in time he falls down "dead". More or less like some bad job of acting out one of the scenes of some medieval movie. It is not approached from the point of view of a combat art. This post will ask you to challenge those preconceptions of SCA heavy combat and have a look at it as a "living tradition".

So a tradition is something which is passed from one generation to another usually orally, sometimes physically. A living tradition means that it is something which has been going on for quite some time. There are claims by many oriental martial arts of living traditions which extend back hundreds of years, and even some occidental ones too. What should be noted is that SCA heavy combat has been passed down from one fighter to another for about the past fifty years or so. So in that respect it does qualify as a "living tradition".

To be more accurate, there are even some "schools" within the tradition of SCA heavy combat fighting. These are groups of heavy combatants who have been trained by the same senior fighter or fighters, usually one/s of renown and experience, who have developed a particular style and this style is reflected in the individuals who have trained under these senior combatants. Of course each will have added his own individual flavour due to differences in body-shape and movement, but the "school" of movement will definitely be there.

While some would argue against SCA heavy combat as being a martial art, it is most definitely a combat art. The practitioners are actively trying to strike one another and often there is a price that is sometimes paid for in pain when a blow strikes flesh, or simply a part of the fighter which is not armoured sufficiently. As this form of combat progresses through time it gathers more complexity and its training also develops more complexity as it is understood better, it also progresses towards the elements of a martial art that some would claim are missing. Could it be used in a self-defense situation? In the right situation, it most definitely could. Could it be used to disable an opponent to prevent them from doing harm? Again, in the right situation it could.

The next time you look at SCA heavy combatants fighting, or training, examine what they are doing. Go up and ask what they are doing and you will find a lot more complexity that you did not know existed. Ask about the history of their art and you will also find that there is a lot more there than you would have expected. While this living tradition could be seen as quite young, it is nevertheless a living tradition which is not just alive but thriving. Maybe it could do with a little less ridicule and a little more recognition for the common path which they travel.

Cheers,

Henry.