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Either an author who fences, or a fencer who tends to write a lot. I found a passion for writing first, then I found fencing. I also found that the pen and the sword work very well together. The pen may be mightier than the sword but together they are much greater.
Showing posts with label consequences. Show all posts
Showing posts with label consequences. Show all posts

Wednesday, October 13, 2021

Fencing is Choices and Consequences

 Greetings,

The title of this article makes it look like it's about social choices we make in our fencing career. I have spoken about this long and in-depth previously; this time it isn't. Those choices will determine the length and depth of your fencing career, often will result in what sort of people you will associate with, and your overall worldview of fencing. For this article I am wanting to look more at the fencing itself, though it is likely the discussion will venture into some those areas again as they are all related. 

When we fence there is a set of choices to be made. These result in consequences in our fencing, and sometimes, even broader than that. For the purposes of this article, I want to focus on the choices and consequences that are made in regard to the act of fencing, and some of the physical details attached to it. There are some simple things that we do not take into consideration which will affect our fencing, choices which we make, either consciously or subconsciously which will affect the result of the bout/s that we have.

The interplay of choices and consequences in the act of fencing one of the reasons I really enjoy fencing (there are others). A fencer makes a choice in the actions that they take; then they must face the consequences of those actions. Sometimes the consequences of those actions are immediate, sometimes they take a little longer to take effect, but they always have an effect. There is no avoiding this situation. There is always some effect.

If an opponent makes an attack, there is a choice to make in the response. Even the timing of this response is a choice. If the fencer making this choice gets the choice right, they don't get hit; if they make an incorrect choice, it is likely that they will be hit, unless they have redundancy built into their choice, and the redundancy is a choice too. This is the immediate result, the immediate consequence.

Even where there is a redundancy built into the response, there will still be a consequence for the primary response failing. This may cost the fencer Time, Distance, or both. Both of these are essential to fencing, and any action that loses the fencer either one of these will affect the actions that follow.

Each time a fencer makes a choice, there are consequences. Those consequences are not necessarily immediate, such as being struck, but they will have an effect on the encounter. Each action affects the position of the fencers in time and space, an action which takes the fencer out of the correct time or space is going to affect where they should be for the following actions. This is especially important for compound actions. The effect of half a foot-length (even less) over two actions can be amazing, as will be the effect of an action which is even slightly out of tempo.

Fencing with an opponent is a series of choices and consequences made. Successful fencing is simply making the right choices, for your fencing at the right time. Of course, this is made easier by training and practising so you have more options available and so more correct choices to make. 

Cheers,

Henry.


P.S. You will notice a lot of Wikipedia links in my posts. This is a great resource of free information which is now reliably researched, as you will note by the references which appear at the bottom of each page. I donate to the Wikimedia Foundation every year to keep this non-profit group operational, and I recommend that everyone do the same, you can do this HERE. Please give, and keep this free source of information alive, there are few of them these days.

Sunday, September 13, 2020

"There can be only one." Monolithic training environments and the fallacy of competence

Greetings,

Before I start with the discussion of this article I would like thank Nic Harrison for his assistance with ideas and direction in this article. His ideas and formulations have been most useful in describing this subject more fully and also directing the discussion in the direction that it needed to go. This is an important subject that each student and instructor should examine for their own part in the participation in, and rejection of monolithic training approaches.

Introduction

The discussion which follows will be broken up into various parts so that the material can be discussed succinctly and with direction. This will allow the greatest and most accurate discussion of the subject. The subject itself is designed to address the subject of monolithic training environments, those which are seen as the be all and end all of the fencer's training. These structures are inward looking limiting outward and contrary views of the subject of swordsmanship.

To begin with will be a discussion of the subject of competence and what it means both in the sense of definition and also in technical sense in operation. This will lead to the discussion of the problem of monolithic training environments and give reasons why they do not work, and that they do exist, but in effect should not, especially in our information-rich contemporary society. Various influences upon this situation will be addressed to delineate the problem as it stands.

The second part will discuss the reason that taking the opportunity to learn more, especially from different systems of swordsmanship, and in different methods, will give advantages to the fencer. These advantages will be presented in contrast to the monolithic approach. Further will be given examples how the monolithic approach can be broken, but this can only be achieved with effort on the part of the participants.

These discussions will be summed up in the final part of the discussion. Monolithic structures are difficult to break down due to their nature, but it is possible. It takes people to influence them with new thoughts and ideas from external sources, and to challenge them and to demonstrate the advantages of other approaches. These challenges need to be applied with intelligence and demonstration of the advantage of the new approach to training and swordsmanship in general.

On Competence

The online dictionary (via Google) defines 'competence' as: "the ability to do something successfully or efficiently". In fencing terms this means the ability to stay personally safe fencing while not causing harm to the partner. The implication of this is to remain safe fencing anyone you cross swords with.

Some of those people may be better, or worse than you. Some may have entirely the wrong idea and be out to 'get' you, 'beat' you or are nervous and jittery with a sword in their hand under assault. It may be a competition or social sparring. In any or all of the above cases, a competent fencer will be able to stay safe. This is not to say that only incompetent fencers get injured. We know that this is not true, but it is rare for a competent fencer to act in such a manner as to cause injury to themselves, (sometimes, but not always using their partner to do it).

Competence is developed over time through learning skills and practicing those skills. It is also developed in fencing through facing different opponents so that the fencer can develop an understanding of the different ways in which people fence. This is an element which needs to be taken into account in the consideration of competence. A competent fencer is also one who can deal with the approach and tactics of an opponent, regardless of what they might be, and regardless of the length of their weapon. The only way to gain the knowledge how to deal with different sorts of opponents is to fence them and experiment with different approaches, not limit the fencer to a single method.

The "One True Way"

Fallacy of the Single Method

There are those who believe that there is “one true way” for training in particular weapon forms of a particular style. They also believe that the weapon should only be learnt in that particular style in that particular method and that any deviance from this is a “pollution” of the style and a deviance and should be avoided. For these individuals the weapon is taught and learnt the same way without any input from outside to change any facet of the process.

The approach above may sound appropriate to a more Oriental point of view but it also has presence in some Occidental schools as well. There is a notion that if the students learn something from somewhere else then it will somehow taint what they know and by them using this knowledge it will affect all the other students who come into contact with them in a negative way. This approach to the study of swordsmanship is flawed.

The single method of training to the exclusion of all others limits ideas. It does not allow the student to experience any new ideas from other areas, nor expand their own ideas because they are limited to what is found within the school. This limitation of ideas means that the fencer, should they take their skills out of the school to a tournament, will not be prepared for different approaches to using the sword, and thus will have no way of dealing with them.

Of course there will be an answer to this and other failings.

The answer that will be given in response to questions about other approaches is that the method which is being taught is “all-encompassing” so there is no need for other methods to be examined. This response is designed to tell the student that there is no need for them to go elsewhere because the teacher at the school can teach them all that they need to know, and that the method that they are learning will deal with anything that another swordsman can throw at them. Most often this is not the case, and there will be failures.

Failures in practicing the art as described by the school, especially against other schools, will be attributed not to a failure in the art, but due to a failure in practicing by the student. The student will be instructed that if they had practiced more that particular attack would have been defeated. In this way, the blame for the failure experienced is shifted from the methodology to the student.

Worse still, in tournaments run by the school cheating may be involved to prop up the school’s method. Officials will be affiliates or members of the school and their calls will be biased toward the school. Thus through the tournament the method is “proven in combat.” Complaints about issues with officials and how the tournament was run will be put down to individual perceptions rather than any real issue.

On an individual level in single method training, once a trainee completes a training course, there is sometimes the perception that is all that there is to be learnt, that their training is now complete, because they have completed the training course. Most of the time the initial training course gives the student of swordsmanship the basic “language” of swordsmanship, thus it teaches them how; to move, to defend and how to attack. These skills are necessary so that the student can now understand the more complex elements of swordsmanship which come after.

The Trainer Influence

Trainers influence students. They must otherwise they have no ability to teach. This influence can have a positive or a negative influence on the career of the fencer, depending on what sort of influence they are and how they influence the student.

For some trainers, they guard their schools as they would have been in the Orient. In some cases this is because there has been an Eastern tradition which has had an influence on the trainer in their career. What this means is that they have an old traditional approach. The method they teach is one which they feel is a personal method which they teach to their students. This method is not to be spread among other swordsmen but kept within the school. Within these schools loyalty to the school is of great importance and to train with another school. The student should seek permission first, and to not do so is seen as a breach of faith, which is sometimes punished, if not explicitly then implicitly.

In other cases, there is no previous Eastern tradition to somewhat explain this motivation, but the same attitude is taken and many of the same elements are also adopted. This idea of the personal method can be pushed even further. Here, the trainer is seen as the only voice of reason as it is their method which they have developed over an extended period of time. Pushed far enough these become a cult of personality, with the head trainer at the top.

These monolithic training structures, both the Eastern traditional approach and the cult of personality are not healthy. These approaches heavily discourage cross-training with students of other schools for fear that the students may pick up something new that they might show the other students which deviates from the method. Further, the students may find in their cross-training that there are questions that have no answers.

One of the fears which monolithic structures have is questions which have no answers, thus a fear of the discovery of a flaw, or flaws in the method which is being taught. How can the method be one which is “all-encompassing” if it has flaws? If all the students are following the method then they are not likely to find the flaws, but if they go outside the method they are more likely to, thus cross-training training is discouraged for fear of new discovery and finding something that the method has no answer for. Of greater concern is when these ideas spread to a wider community.

Group Influence

Groups will also influence how the individual trains and whether or not they are open to outside influences. Just like the influence of the trainer this influence can be of benefit or it can be a detriment to the advancement of the individual in their training. In this regard, it is often a question of whether the group is outward looking or inward looking.

The outward looking group will seek other opportunities to learn and different points of view to enhance their view of swordsmanship, and through this gain a greater understanding of it. The inward looking group will not. The inward looking group will have a method which they stick to which suits their rule-set and it will be a method and a rule-set which they will claim is their own, and which is the only correct one.

The same group will influence the individuals within the group through its culture to feel the same way about the method and the rule-set so that they have a common belief-system, and anyone who disagrees will be more than likely ostracised. They will believe that other methods are incorrect because they are not like theirs, and because they are not taught in the same fashion as they are.

The monolithic nature of the style will be most exposed when questions are asked about the style of swordsmanship and it is vigorously defended. There is a great fear that flaws will be discovered in the method and this will be covered up with bluster about the “superior” nature of the method. The questions will even be deflected to other places and avoided.

In defence of their method and to prove that it is better than those about them tournaments will be arranged. Of course, the tournament rules and the officials will be biased toward any member of the group and find in favour of them should a dispute arise. This idea will extend even further to the scheduling of events. Events will be cross-scheduled with others to ensure that members will only attend events of their own group, to ensure that they are exposed only to the correct culture. Of course, this will be hidden behind training program requirements.

Of Weapon Forms and Historical Masters...

There are those who will claim that they do not look outside what they are doing because what is happening at a particular conference is not relevant to them because they only study rapier and only from Capo Ferro, or only do German longsword. There are issues which arise from this approach in any way that it is viewed.

Taking the point of view of those who only study rapier and only from Capo Ferro as an example, this master did not invent the weapon form. He was not even the first to present the theories which are expressed in his treatise. Even if the individual wants to look at late-Italian rapier, Giganti is a better foundation from which to move to Capo Ferro, and there are theoretical elements within Fabris which are also useful as well. Further, even investigations into Agrippa’s principles can assist as well.

In an even broader context, there is the important element to note that all forms of swordsmanship are united by the same two primary principles of Time and Distance regardless of the sword’s form. So even by studying the longsword, there are elements which one can learn about the rapier, and vice versa. Indeed di Grassi approaches the use of his two-handed sword with the same principles as he does with his single sword. So approaching the examination of swordsmanship focusing on only one weapon also denies all the associative learning which occurs.

Further there it is historically inaccurate. There is evidence through the treatises of the theorists and masters themselves that they did not learn their arts from a single individual but learnt it from several. They learnt it from whoever would teach them something which would be of use to them. This is the same approach that all should approach swordsmanship in our current age.

Then there is the argument, “I’m only starting, I need to understand [insert weapon form] properly before doing something new." This is a false argument as only by learning something new will it be possible to understand what is being studied, and possibly not even then. The issue here is that in the beginning it is difficult to understand what the possibilities really are and also the theory involved. Only through even an examination of some other weapon or approach to the same weapon is it possible to have a glimpse of other possibilities and theory.

Unknowingly Guilty

Of course when a person decides to learn a skill, or train in a weapon form, or pursue a course of study, in swordsmanship, there are the best of intentions. The same can be said when a person takes it upon themselves to train others in the same. From the outset the intention is to approach the subject to gain the greatest understanding of the material, this is not always the result.

People start with open eyes and as they become involved in various aspects of training they become more closed to opportunities and approaches, due to various reasons. The issue becomes when these avenues which are closed are closed for no good reason at all. The issue is further increased when these avenues cannot be opened because some sort of conviction has been formed that these avenues were closed and should not be opened, even when good reasons are presented. This is where the monolithic training structures are formed along with the concept of the “one true way”. Validation should always be sought and re-sought for every approach.

“The only sure knowledge is that I know nothing.” Plato

While Plato’s statement is somewhat disingenuous, in that even the beginner after their first lesson has some knowledge, it is an approach that can be taken and is a healthy one when examining outside ideas. This approach allows us to examine new ideas with the perspective of the benefit of new knowledge that will always benefit our knowledge of swordplay, regardless of whether it is the same form of weapon or not.

When the opportunity is presented to learn something new, or even learn something which is familiar from a different point of view, the opportunity should be taken with both hands. This will broaden your experience and your horizons. Only through learning new things and re-examining what we already know will we really understand what is possible.

Swordplay Universals

The essential fact is that even with a different type of sword, there are elements which are related. This is because all swordplay is related. It is related because the human body can only move in a certain set of particular ways, and because all swords carry similar characteristics which cannot be divorced from one another.

Clearly, all swords have a handle. All swords have two edges, regardless of whether one is blunt or not. All swords have a pommel of some description to hold the rest of the sword together, in most cases this also acts as a counter-balance to the blade. The balance point of a good sword is somewhere just beyond the extent of the hilt of the weapon. All of these characteristics of the weapon mean that there is commonality in the method of their use.

Masters’ Words

The masters’ treatises have a bad habit of not explaining everything. This is for two main reasons. The first is assumed knowledge, things that a student of the period the treatise would know. The second is concealment, things that the master would conceal so that the student would have to come to him for an explanation, thus pay him to teach him. This second one is found especially in the works of earlier period masters. The concealment was so people had to come and get lessons and also so only students of the master could use the treatise alone to train. In regard to the first reason there are simple concepts which were assumed knowledge because this is what was taught as a part of the education during that period. Some of this has been left behind in our modern education system so these elements need some explanation.

Learning another system adds to experience and knowledge of swordplay and this can only enhance the ability of the fencer. This experience and knowledge can be used to extend and enhance the performance of other weapons due to the common foundations and also to enhance similar weapons due to the greater understanding. There is also a prime tactical reason for learning another system.

Learning another system allows a person to examine it from the inside. To take it apart and see how it works. To discover what the essential elements are. So then the same system can be defeated through this knowledge. This means that the person who learns more systems knows better how to defeat other systems because they have a greater understanding of them.

Further the understanding of other systems can assist in understanding the development and history of the system which is the primary study of the individual. While they are not directly linked, there is evidence for foundation elements found in earlier works that is also found in later works. Similarities in formation of action and movement which are too close to be coincidence, especially when geographical considerations are taken into account. The history, while some find it unnecessary, explains why weapons and styles developed the way that they did.

Study for Understanding

Through the study of material which binds your interest in terms of time and geography can aid in understanding of the overall teaching method which a person studies under. Study is an essential part of learning, and while the beginner’s study is primarily mechanical in the beginning, they should have intellectual elements to their study as well. The more experienced student should be studying treatises and other theoretical elements to better understand what they are being taught.

There must be a reason why the instructor is teaching. There must be some sort of foundation from which they have built themselves to a position where they are able to teach and some experience and knowledge. The reason needs to be established for a person’s ability to teach and the reason that they are teaching. This reason needs to be examined, especially if the reasons seem spurious.

The clever student of the sword will learn from everyone. The teacher will learn from their students as much as the students will learn from their teacher. Everyone has something to teach, even if they do not realise it themselves. The important thing with regard to this is the approach: for the student it is learning better ways to learn; for the teacher it is learning better ways to teach.

Giving Back

The new teacher should bring something new to the school at which they are supposed to teach. A new teacher should always be adding to the curriculum not just repeating the old curriculum as it has been previously presented. Even a different perspective taken on the old curriculum is better than simply teaching it the same way. Updating the curriculum with the latest knowledge is always a good thing.

In those schools which have a ranking system similar to that of the London Masters of Defence, i.e. Scholar, Free Scholar, Provost and Master, the rank of Free Scholar should mean something. It should not be just another rank. This rank should mean that the student is “free” to learn new things. There should be an expectation of new learning and exploration placed upon individuals of this rank. This is to encourage them to find new things to study, to find different perspectives. This is a way to enhance a school and to prevent it from stagnating.

Moral of the story? Don’t make mountains, there are enough mole hills already.

The monolithic training structure is difficult to break down due to its nature. It is one solid block and those who are within it often do not see what is without it. They also do not see any issue with their approach. The nature of the structure is that the students have been taught that there is a single way to do things and it is by the structure that they have been taught. The teachers have been taught the same from their teachers, and it is in this fashion that the structure gains and maintains its rigidity. It is because the people are so invested in the structure that it is so hard to break down.

The influence to change needs to come from within the structure, but external sources need to show the flaws in the structure to elements within it for this to occur. This is where there are always issues. The external sources are external so they have little impact upon the structure unless they can influence those on the inside. Once individuals on the inside have been influenced, they need to exert influence on the inside from the inside to achieve change.

The most important thing is that this influence and challenge must be achieved through the use of demonstration and intelligence. Intelligence needs to be demonstrated in the alternative approaches along with demonstration of the use of these alternative approaches otherwise there will be no effect. Battering away at the monolith with one or the other singly will have no effect, they must be performed together. Persuasive arguments will be fended off by blunt statements without demonstration; demonstration will be fended off without intelligent argument.

Monolithic training structures believe that they have the one true path toward achievement of the way of swordsmanship. Unfortunately there are quite a few of these structures out there, even worse is that many of them can’t even identify themselves as such. There needs to be flexibility for a school or other organisation to grow with the knowledge which is being made available, this allows the organisation to remain healthy. Healthy interaction with other groups can only assist with this and can only benefit swordplay overall.

Cheers,

Henry.

Thursday, August 13, 2020

Heisenberg's Uncertainty Principle Applied to Fencing

Greetings,

Some first things that need to be established. I am not a physicist, I have not studied physics save for a little dabbling in Aristotelian Physics to greater understand Renaissance thought. So with this in mind my approach to using Heisenberg's Uncertainty Principle is going to be a little "popularist" and a little "generic". Please do not try to argue the physics of the situation, I am taking something from one field and applying it to another where I believe it fits. The inspiration for this came from watching a movie from another entirely different field, "The Catcher Was a Spy" in which the theory was used in a similar way to explain something not to do with physics.

"[Heisenberg's Uncertainty Principle] is any of a variety of mathematical inequalities asserting a fundamental limit to the precision with which the values for certain pairs of physical quantities of a particle, such as position, x, and momentum, p, can be predicted from initial conditions. Such variable pairs are known as complementary variables or canonically conjugate variables, and, depending on interpretation, the uncertainty principle limits to what extent such conjugate properties maintain their approximate meaning, as the mathematical framework of quantum physics does not support the notion of simultaneously well-defined conjugate properties expressed by a single value. The uncertainty principle implies that it is in general not possible to predict the value of a quantity with arbitrary certainty, even if all initial conditions are specified."
(https://en.wikipedia.org/wiki/Uncertainty_principle)


"I thought this was a fencing blog. What am I doing reading about physics?" This is probably what's going through your mind as you read the previous quote. The thing that needs noting about Heisenberg's Uncertainty Principle is that it can be applied to fields outside those of quantum mechanics and even physics. Or at least a certain basis of the Principle can be applied to these things. It is that last part which is most interesting, "it is in general not possible to predict the value of a quantity with arbitrary certainty, even if all initial conditions are specified."(https://en.wikipedia.org/wiki/Uncertainty_principle). Here, it is used as a "framing device".

In regard to fencing there are details given about techniques. These are based on the actions of what an opponent will do in response to the action of the fencer. Indeed, other actions are established on what the fencer is only able to do from that particular position. 

Other techniques are detailed, these are based upon how a weapon will move. Others are founded on actions of the opponent. Some actions are established on the action of the fencer, intended to make the opponent move their weapon, thus produce the moving weapon. 

Further admonitions assert, a fencer will act from a particular position in response to the action of the fencer and will move their weapon in a particular way. So prediction is made based upon both the position and the action. Indeed the same can be said that a fencer can be predicted to move in a particular way from a particular position with or without stimulus, according to what the texts teach us.

According to the Uncertainty Principle, none of this is possible. As it has been previously presented,  such predictions cannot be made based upon such initial conditions when they are specified. A fencer may not execute the action predicted by the text, so the fencer has to respond in a different way. The fencer actually had no idea how an opponent will respond to any action they might make. All they can do is assess the probability of the response of the opponent.

The fencer must work on a probability matrix based on what they have observed of the opponent, but they can never be 100% sure of any action of the opponent, regardless of what information they have. Reading the opponent is vital in assessing this probability of what an opponent may do. The fencer should never be so sure that they think they know exactly what the opponent must do. The opponent always has options which are not planned for.

Cheers,

Henry.

[Edited for clarity: 20/08/2020]

Thursday, September 13, 2018

A Smack in the Head: Let's Talk Concussion

Greetings,

Some when they talk about concussion discuss it as if it is just a simple hit to the head which they can recover from easily and everything is fine. It is just a little smack to the head, they can continue, no worries. The thing is that this is not the case at all. Concussion is no joke and is something that needs to be taken seriously, very seriously.

I have produced a discussion on the subject of concussion, why it needs attention and some of the very important aspects pertaining to it. This can be found here: http://www.academia.edu/37041914/Concussion.pdf, or I can be contacted for a copy of the same document. This is a subject close to me as I have received quite a few concussions and know that they can have a debilitating effect on your life.

Of the things that need to change, the first thing that needs to change is our approach to striking one another in our martial art, or any martial art for that manner. The intent of the blow needs to be presented to the opponent, that is true. The force of the blow, not so much. This is especially the case when talking about swords. It should be noted that when trying to strike with muscle, that hard impacts will actually do less damage because that is not the way cutting with a sword works. Simply bashing the edge into the target does not work. The blow needs technique to work, not power. Perform the technique properly and ample power will be present.

The above change needs to be made at a community level, simply that people who strike to hard need to be told that they are hitting too hard and that they need to stop. A community can simply refuse to engage with such people as a sign of support for such a move also. At a policy level, organisations can stipulate the levels of impact allowable and permitted in competitions. If there are no such organisations, event organisers can achieve the same by stipulating the same in their rules for competitions.

Some will suggest target restriction. This does not prevent the area from being struck, it just means that the it gets struck unintentionally, or gets placed in the way "gaming" the rules. In sport fencing, in foil, the head is off target, but it does not prevent them from wearing masks to protect against the blades which manage to go in that direction.

The greatest argument will be for increasing protective equipment, and for some this will be the first place where they go. It is the easiest thing to change, but it is a patch job and can lead to worse situations. Personal Protective Equipment (PPE) is the least effective method for reducing risk of injury. Often an increase in PPE can lead people into more risk taking situations thus reducing or neutralising the effectiveness of the PPE. Larger helmets make for larger targets, and also can lead to whiplash injuries. There is also the brutish mentality of some who think that because a person is wearing extra gear they can hit them harder.

People simply need to stop hitting so hard. Officials need to enforce rules of play which discourage hard hitting and enforce them strongly. Clubs also need to create a culture where hard hitting is also discouraged. If you have people in your club who are hitting hard and you do not feel safe, talk to them. If this comes to nothing, talk to the head instructor. If this comes to nothing, leave. Only when people use the power that they have will an impact be noticed. Remember, this is your safety we are talking about.

Cheers,

Henry.

Wednesday, September 13, 2017

When is it Too Much: Over-Training

Greetings,

The following subject is one which I personally know a lot about as I have been there quite a few times. This is about pushing yourself hard for a long time, or indeed just pushing yourself too hard. We all push ourselves for our own reasons, but there is a breaking point and we need to be aware of it as it can lead to a real problem if we don't notice it.

Naming

There are at least two different names for this condition, one is Over-Training the other, more common name is Burn-Out. This is when your mind and often the body have had enough. You feel lethargic about going to training, and will make any excuse in the world to skip it. If you find yourself making excuses more than a couple of times a month for not going to training, put yourself on a "watch list" for this condition.

Who is Susceptible?

We are all susceptible to it, indeed all athletes are susceptible to it. The older ones of us are more susceptible to the condition because they feel that they have to push harder to keep up with the younger members of our clubs. This pushing harder, if not maintained by ourselves and our friends can lead to Burn-Out and some real negative effects.

Warning Signs

The warning signs for Over-Training are sometimes subtle and sometimes a little more overt. One of the warning signs has already been described above.

1. Giving excuses for not going to training. This has to happen more than a couple of times a month for it to be a worry. These excuses come in the form of, "I don't feel like it." or "I am not in the mood." or "I would rather do [something else].". These kind of excuses show a problem forming.

2. There are constant clashes between your personal and training schedules, which are stressful.

3. The thought of going to training does not interest you, or fill you at least with a level of interest.

4. At training the drills are not interesting for you or your attention regularly slips.

5. You feel there is no improvement in your level of skill.

If Warning Signs are Ignored...

If you ignore the warning signs and continue to train at the same rate and allow these warning signs to go unheeded you can find yourself in real trouble. Here are some of the results which can happen if you ignore the warning signs.

1. Your excuses take priority over finding reasons to go to training, so you miss more and more. This means you fall further and further behind in your class.

2. The clashes between your training and personal schedules will increase which will only increase your level of stress which will only distract you more at training. This will result in a poor performance at training leading to a feeling of lack of skill.

3. Your lack of interest and attention slips will result in a poor performance at training which will result in you missing vital information about skills. It will also result in a poor performance in drills which will mean people will be less likely to partner with you to train with meaning it is harder to find people to train with.

5. The feeling of a lack of improvement in your skill will affect your performance, which will lead to a plateau and a decrease in skill and then more negativity resulting in a downward spiral of effects.

What should be noted here is there is a distinct downward spiral to the effects of ignoring the warning signs. So in short, don't. Take note of these warning signs as there is something that you can do about it.

What to do?

1. Prevention. Prevention is the best way to deal with this. Recognise the warning signs early and think about what you can do to change what's happening. Change your perspective.
2. Talk to someone. In your class the best person to talk to is your instructor. They should be able to help you with what's going on with you. Even just talking about what's going on will help you. Your instructor should have some good advice as to how to combat your problem, or even prevent it from getting any worse.

3. Find activities outside the interest of a physical kind to relax. Find cross-training activities that will still assist you but are not directly related. Walking is a good example of one of these.

4. Rather than focussing on the physical aspects, change focus and explore other facets. The martial arts regardless of what form always has a wide mind game. Read books about the subject. Investigate the social background to the martial art.

5. Find the social experience behind the physical one. Engage with your classmates on a social level, broaden your knowledge of them and you will find that there are many interesting people out there.

Burn-Out can be more dangerous to a person and their martial arts career and their health than people often give it credit. Through this condition a person can push themselves in to severe bouts of depression and also take a severe toll on their bodies in physical ways as well. Through Over-Training people have destroyed their own martial arts careers simply because they did not know when to step back and have a break, or take a breath. Watch for the signs, get help, take care of yourself.

Cheers,

Henry.

Tuesday, June 13, 2017

Being a Good Training Partner

Greetings,

Well this will seem a little ironic coming after my advice for the solo practitioner previously, but it is a subject which we all need to consider because sooner or later we will all be involved in a partnered drill, or in a partnered situation. This may be at our regular practice or at a convention or at some other sort of gathering. The partner may be someone who you have fenced with for years, or you may have literally just met them. All of the same stuff applies.

1. Don't Hurt Your Partner

Seems pretty obvious that we do not want to hurt the person that we are fencing with, right? Seems not to be the case with some. Some seem that they need to put a little bit more emphasis in on their strikes and other offensive actions. There is no need for it. If you continue to do this, you will simply run out of people who will be your partner and you will run out of people to train and spar with.

2. Follow the Drills

This means that if you are doing a parry and riposte drill and you are attacking, you are going to get hit. The only reason why you should not get hit is if your partner misses, and even then you should assist them so that you do. You need to do your part of the drill as faithfully as possible to ensure that the learning experience is fulfilling for your partner. You should be practicing your actions at the same time to make sure that they are correct. If you don't follow the drill you and your partner will not learn what is supposed to be learnt. If you continually not follow drills people will not want partner with you and you again will run out of people to train with.

3. No Additions

Even if you know what's coming next in the next drill don't make any additions to the drill. Wait until the trainer teaches the additional part of the drill. Your partner may not know about the new part and will be come confused, and will also want to focus on the current part. This also means that you should not really experiment with other options available as you may miss the point of the drill. If added defences so you don't get hit are not part of the drill, so don't add them. If you are supposed to get hit as part of the drill, you get hit. Additions to drills just show you as unwilling to follow instruction or arrogant, and not a good student.

4. Remain in Control

Some drills will be done at slow speed, some drills will be done at faster speeds. This will be determined by your instructor. It is up to you to remain in control of your actions. If you are supposed ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Thursday, October 13, 2016

Renown Versus Notoriety

Greetings,

Renown and notoriety are two words which some may have heard and some may have not. They are how different fencers are talked about, even if the people doing the talking do not even know the words or what they mean. This post is designed to bring these two words into the light of examination and show how the actions of a swordsman can determine the reactions that he will get from other swordsmen and even non-combatants.

Definitions

The first thing to do is to define these words and to do that definitions have been taken from www.merriam-webster.com. Thus the definitions of the words are:
Renown: a state of being widely acclaimed and highly honoured
Notoriety: the condition of being famous or well-known especially for something bad: the state of being notorious
Clearly they both have something in common in that in both cases a person with renown and a person who has notoriety are well-known. This is the common element that links them. The difference is that one is respected and praised while the other is known for something less than positive. It is in this difference where the importance lies. Now that we have the definitions and the beginnings of an explanation, we can begin to relate them to the swordsman.

For the Swordsman

"How you win is ... important, if not more important, than any individual victory. You must win decisively, cleanly, and gallantly." (Evangelista, 2000:301)
These are two sides to fame. We all know of celebrities who are famous for doing good things and staying that way, but we all know of celebrities who are good at what they do, but are known also for bad things. The former have renown, the latter have notoriety.

In relation to the swordsman, the swordsman who has renown is respected on and off the field regardless of the result of his bouts or tournaments, or even whether he even participates in tournaments. When he fights he fights with grace and skill, acknowledging the skill of his opponent, a truly positive influence on the community. The swordsman who has notoriety is respected on the field ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Bibliography


Evangelista, N. (2000) The Inner Game of Fencing: Excellence in Form, Technique, Strategy, and Spirit, Masters Press, Illinois, USA

Friday, November 13, 2015

A Question of Ethics

Greetings,

This entire posting is based upon a post made by Guy Windsor which can be found here: http://guywindsor.net/blog/2015/06/ethics/. In this blog he asks some seven questions about the ethics of swordsmanship which I feel are significant and that each and every individual who picks up a sword or any other weapon should consider, regardless of purpose. Had I been a little more prompt, the answers to these questions and this post would have appeared earlier.

The Questions:

1) When is it ok to stab someone in the face with a sword?

I have found two answers to this question, firstly in self-defence. This would, of course, be a rare situation where I would find myself defending my life or the lives of those whom I care about. The second would be in the practice of martial arts where the stab to the face is an essential part of the practice presented in many of the period manuals, and I would make sure that my partner is suitably armoured to ensure the safe practice of such an attack.

2) What is the one thing you find most useful about swordsmanship training outside the salle?

It is difficult to nail down a single thing which is most useful, as there are multiple; tactics, awareness, or the simple health benefits such as muscle strength and cardio-vascular fitness. For myself the essential comes from the ability to problem-solve by looking at things from different angles attributed to reading my opponents.

3) How important is history to you in your practice of swordsmanship

The study of history is essential to the practice of swordsmanship as the texts must be placed in the background in which they are placed if they are to be completely understood. From the simplest point ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Sunday, September 13, 2015

On Winning

Greetings,

Sorry about the lack of a post last month, I had an event on which I help run every year and then I moved.

Everyone likes to win. Everyone likes the feeling of defeating an opponent and feeling the sense of victory. This is a positive feeling that surpasses many. It is highly addictive as many will attest to. What needs to be noted, and will be demonstrated in this post is that there are really two paths to victory and greatness, and these two paths result in two different results. We should all consider what path we are on and whether or not we are willing to live with the consequences of this choice.

Two Paths to Greatness

To describe these two paths to greatness I will use the philosophies and use the names and headings of two great writers of the Renaissance. The first is Niccolo Machiavelli, and in this I will focus on his famous book The Prince. The other is Baldassare Castiglione, the writer of the famous book of etiquette The Book of the Courtier. Each one will be used to present a different set of principles and a different approach to victory.

1) Machiavelli

"Lisa: ... Ralph Wiggum lost his shin guard! Hack the bone! Hack the bone."
("Lisa on Ice" - Episode 6, Season 6 - "The Simpsons")
The general reading of Machiavelli's The Prince is about a sanguine individual who will do anything to keep his principality alive. Machiavelli is a very practical man and for the most part is about survival. I would encourage all to read his insightful book. However, using the generally accepted view, this discusses anything for a win. The Machiavellian combatant will find the opponent's weakness any way that he can and use it against him regardless of what it is. This combatant is often brutal in his attacks and will exploit weaknesses in armour as well as in defences.

The Machiavellian combatant will be noted for his practical manner of his fighting rather than finesse. While having skill in his method, there will be a lack of flair in his method, and there will be little satisfaction fighting this combatant as his methods will always be focussed on the gaining of victory rather than the pleasure of crossing swords with an opponent. This combatant will be respected for his ability to win, and his fighting prowess, but not respected as an honourable combatant, thus for the most ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Thursday, February 13, 2014

Martial Art Versus Martial Sport

Greetings,

Regardless of the organisation, regardless of the weapon we use, at some point in time we need to sit back and have a look at what we are doing. We need to do this with a critical eye. Unfortunately as we become attached to a certain way of doing things in a certain group, we tend to become blind to alternatives which are just as valid, or in some instances even more valid than our own. This does not mean that we should change groups every time we find this, but we should at least look at what we are doing and with a critical eye. The purpose of this article is to ask question of whether that form of combat we are involved in is a "martial art" or a "martial sport". Both have their valid forms, but as stated we need to look at what we are doing with a critical eye in order to find the truth.

The first question to look at and one which will come up again and again is the question of consequences. In their original form the weapons and techniques used have and inherent lethality to them and the consequences for failure were for the most part dire. The presence of this level of threat, whether inferred or real is an important part of the form of combat. In the comparison between the martial art and the martial sport, this is a good place to start. In the martial sport, there are really little consequence for being struck, a combatant is struck, a point is awarded and the combatants re-start until a time limit is reached or one combatant scores a certain amount of points. This form is found in its extreme form in sport fencing. In the martial art, there are consequences present for the combatant who is struck, these are mostly simulated due to the nature of the real weapons, but are still present. A combatant who is struck with a lethal blow is considered killed, a strike to a limb results in the limb being useless for at least the rest of the bout.

In the further discussion of the idea of consequences in the combat, there is the question of the double-kill. Two combatants strike one another with equally lethal blows, what happens as a result of this determines the difference between the martial art and the martial sport. In the sport version both combatants are awarded on point each or zero points, the combatants then re-set and then continue the ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.