Myth of Speed Part. 2

 Greetings,

I wrote a previous article on the Myth of Speed in which I indicated that speed had little to do with the muscles of the fencer, and more to do with the efficiency of the fencer performing the actions. This comes from practising these actions so that they become smooth and efficient. A similar idea was raised in the discussion concerning the learning process, especially in slow training, which starts here. This article will examine the subject of speed and the myth of speed a little closer, taking another look at the subject.

Of the things that people notice, one thing is that the experienced fencer does not appear rushed in his actions there is a certain sprezzatura, assumed easiness, in their actions. They have control over what is happening. This is reflected in an expression of Musashi concerning speed, “Speed is not part of the true Way of strategy. Speed implies that things seem fast or slow, ... Whatever the Way, the master does not appear fast.” (Musashi, 1974:91). 

The actions of the practised swordsman look deliberate and purposeful from the outside, they do not look fast or hurried. Facing them may be a different matter, they may certainly seem fast, but it is because the combatant has practised the actions so they have become efficient. This means there is no wasted energy and no wasted time, so they seem fast.

In discussing the actions of the smallsword Monsieur L'Abbat also discusses the subject of speed in his Chapter XXVI: Of Swiftness. There is much said about the subject of swiftness, but it is linked to practise. This is even stated in his first comment on the subject.

"Swiftness is the Shortness of Time between the Beginning and End of a Motion: It proceeds from a regular and frequent Exercise, joined with a good Disposition; that is to say, Vigour and Suppleness, which form Agility." (L'Abbat, 2007:75)

The action which proceeds with swiftness results from regular practise, or exercise as he calls it, but it also comes from a good disposition. This means that the individual has to be prepared to perform the action, the body has to be prepared with the appropriate amount of agility. So, he acknowledges that there is a physical fitness aspect as well. He then emphasises that the speed cannot be gained without practise and the disposition of the body to gain the speed.

L'Abbat then notes that, "every one is earnestly desirous of it, tho' most People are ignorant of the Means necessary to acquire it." (L'Abbat, 2007:75). Much is the situation in our current age. Many a student of the blade will see the more experienced fencer performing a feat with the blade and attempt to copy it, and fail. They will then attempt to speed up their hands or body, thinking that this was the reason, where it was the efficiency of their action, and thus timing was truly at fault. As L'Abbat indicates, "The Situation requires this advantageous Point of all the Parts, to communicate Freedom and Vigour to the Action, that they may act with Quickness." (L'Abbat, 2007:75)

Speed, as it is seen, needs to come from efficiency of action. Brute strength without knowledge and practise behind it will not give the results that the individual requires. A certain amount of speed may be acquired, but there will be a lack of accuracy in the technique, and this will result in the action falling short of its mark, being false in its timing. The action must be quick and accurate.

"As to the Motion of the Hand, it must not only be animated, but also the Action must not be wide, whether in Disengagements, Engagements, Feints or Riposts; because if you would be soon at your Mark, it is not sufficient to go quick, but it is also necessary that the Action be close." (L'Abbat, 2007:75)

Accuracy in an action comes from practise. Through the practise the action becomes efficient because the performance of the action becomes accurate, this results in the action becoming quicker, or seeming so. This improves the timing of the action and allows the fencer to hit their mark. 

Speed is a myth, the secret is efficiency of action and motion, but this needs to be matched to the opponent. There is little point in performing your actions with one timing if your opponent is performing them with another. Unless you have no intention of your weapons coming into contact, and intend to play with Absence of Blade; even then there is still the timing of the movements of the opponent to consider. Control of the actions is important, efficiency of action is important, speed is really only required for brief moments.

Cheers,

Henry.

Bibliography

L'Abbat (2007) The Art of Fencing, or, the Use of the Small Sword, Translated by Andrew Mahon, Dodo Press

Musashi, M. (1974) A Book of Five Rings, The Overlook Press, Woodstock,  New York, USA (Translated by Victor Harris, originally written 1645)

Myth Debunking: Female Combat Training

Greetings,

One of the great joys that I take as a trained historian is debunking myths. One of the reasons for this is that there is nothing like a good historical argument, backed by evidence. The other real reason is that I like seeing the correct information going out into the public sphere for people to access. This would be the reason why I wrote one of the recent posts about curatorial elements of the sword. It also irritates me a little when people continue to spread myths around because they are just too lazy to get off their butts and do the research.

When we see ladies in reenactment we often see them dressed in dresses playing the part of the lady, as the public expects. Less often we see them in armour, but it is spectacular when they are dressed in armour and are fighting. Something which I support completely. There is a modern myth that ladies in the medieval period did not engage in combat and were not trained to do so. Yes, it is a myth.

The question of the shield maiden is something which has been brought up again ever since the series "Vikings" has become popular and there are arguments for and against their existence. There is some archaeological evidence for their existence and quite a bit of folklore to go along with it. For your convenience, if you click on "shield maiden" (above) you will find the Wikipedia site for it and I would use this as a launch-pad for future research.

The Elizabethan Era is one of the most well-known for swordplay due to the duel occurring and of course the plays of Shakespeare and the London Masters of Defense. What has also been documented is that Elizabeth watched the playing of several Prizes of the London Masters of Defense. A candidate would play a "Prize" to gain his next rank in the organization. A list of prizes which were played can be found here. If nothing else this shows Elizabeth's interest in swordplay. What's more, it is rumoured that she also encouraged her ladies to be trained with the sword as a sort of "last defence" bodyguard and also for their own virtue.

We live in a pictorial age and many people are driven by what they can see. So often we hear "Pictures or it didn't happen." Well, supporting this particular contention which is being presented is pictorial evidence from some French manuscripts. The first is from Bibliothèque Sainte-Geneviève  MS.1126 "Roman de la Rose"

This image clearly depicts two women crossing swords while dressed in civilian outfits. This would mean that it is most likely that they are in training rather than actually fighting. It is, however, a clear demonstration of a training scene of females being trained in combat. An image which points more toward them being engaged in actual combat follows below.

The women in this image on the left seem to be defending themselves from the group on the right. While these individuals are wearing civilian clothes, it looks less like a training scene and more like that they are defending themselves from a group of bandits. This image is also from a French manuscript of the fourteenth-century. While this image could be mistaken form some sort of training or game, the following image is less likely to.

The original manuscript in this case is from another fourteenth-century French manuscript, but can be found along with several other images of women in armour on the page Babes in Armor, which is a celebration of women in armour. That this image shows the individual in armour leaves no doubt that the individual is in a situation where she may come to harm. This would seem to break the myth that women did not put on armour and did not use weapons. The final image which I have will give those who do not think that the medieval female had training some real pause for thought.

This image is from "De Mulieribus Claris" (BNF Français 598), and clearly depicts a woman in armour and involved in the combat. That she is present on the field of combat should give one pause for thought. That she is using the weapon she is armed with and doing harm means that she is at least trained with the weapon.

We should all be careful about making large sweeping statements about things which did or did not happen in the past. It goes especially much where there is evidence for both sides of the argument present. We must all ask ourselves what influences would be making us take either side of an argument and why this is. Is the answer we are giving going to benefit or detract?

Just from the evidence presented here, I would think that some would at least consider re-evaluating their positions with regards to women in history and their positions. The female in the medieval period was obviously not barred from training in weapons, but may not have chosen to do so. Thus we must consider what position the individual was in to make this choice, if they had one at all. We should all do our best not to perpetrate, and perpetuate myths from any period of time as they muddy the history and give misdirection to our future researchers.

Cheers,

Henry.

You can view the Second Part of this discussion, with more detail and research here.

Update: 15 January 2023

There are comments below claiming that the above images are allegorical or of mythological content and that because of this possibility that this means that the women in these images were not trained in combat, and did not see combat, or were not involved, and consequently women would not and could not have been trained in combat. This I dispute quite strongly.

I am adding this here because most of the readers have not bothered to read the second part as indicated in the link above, but have decided to ignore the historical evidence and focus on the possibility that these images are allegorical or mythological. Such ideas are based in fact, allegorical or mythological as they might be. There is historical evidence, as presented in the second part and this list https://www.rejectedprincesses.com/women-in-combat for women in combat from pre-1st century all the way up to the 20th century.

It is evident from the historical record that women were trained in weapons and they did see combat. This is evident from the list presented in the link above and also the list of individuals who are presented in the second part of this discussion. So both aspects of this discussion, and argument are covered. That the images may be allegorical or mythological is beside the point, the fact is that women were trained in combat and did see combat as indicated, as is argued in this and the second part of the discussion. The foundation for such images had to come from somewhere, further, it could be claimed that some who did see combat could be inspired by such images as Oscar Wilde states, "Life imitates Art far more than Art imitates Life".

Further, the argument that Jeanne d'Arc did not see combat because she did not fight, is false logic. Or the same logic could be used that none of the generals of 18th century battles, including Napoleon or Wellington to name two, saw combat because they did not fight; or that medics such as Medal of Honour recipient Corporal Desmond Doss did not see combat, because he did not fight, or even carry a weapon. 

I will not be responding to such false arguments anymore, or those directed against such simplistic ideas, negating the idea of women in combat, due to the presented source material, when there is further evidence presented in another article indicated. That women saw combat in the Medieval and Renaissance period is an historical fact, and one that is evident across many cultures. I see no reason to respond to such false arguments, which grasp desperately at straws, and deny historical truth.