Greetings,
The following is the first of three parts of this subject. I
will apologise to my dear reader as these are quite long. This was the only way
for the appropriate information to be included in the document as a whole, and
to not drag it out into more parts. Unlike my regular blogs, while this part
will appear on its usual monthly date, the following parts will appear one week
after one another so that you are not kept waiting for the next part. This is a
subject that has been spoken about previously; it is now presented with more
detail and new evidence.
Cheers,
Henry.
Cheers,
Henry.
Introduction
Those regular
readers of my blog, “A Fencer’s Ramblings”, or those who have bought my book, Un-Blogged: A Fencer’s Ramblings (2019),
will note that this subject has been discussed before, with a similar title.
This investigation is a much more in-depth discussion of the subject with
evidence from neuroscience and other subjects supporting the findings.
The subject
of slow training is one which is of interest because it forms a vital part of
discussions of many different forms of training in many activities. It has
great advantages to those who engage in it as it allows the participants to
focus on the techniques and hone the accuracy of these techniques to ensure
that the correct methods are remembered. The subject of “muscle memory” appears
in the subject of training in many disciplines and also is evident in the area
of swordplay, and will be discussed in some detail here. Slow training enhances
the process of gaining “muscle memory” and aids the participant in gaining the
correct techniques.
The
bibliographical discussion aims at describing the sources which have been used
throughout the investigation. Demonstrating the relevance of the sources to the
investigation, even though they come from a wide range of disciplines not
necessarily related to swordplay. Such a discussion reinforces future arguments
and discussions which are made throughout the investigation.
All too often
participants focus on the physical aspects of training and forget the
connection with the mind. This part of the investigation is intended to
highlight the important connection between the body and mind before a deeper
discussion of the operation of the connections is made.
A discussion
of the process of learning and integrates some of the points made in the
connection between the body and the mind. It introduces some of the important
aspects of neuroscience which are applicable to the learning of motor skills.
Such information is made in a format which it is easier to understand than a
deep discussion of all of the aspects of neuroscience applicable. The focus is
its applicability to motor skill learning and this process. This information is
most useful in understanding muscle memory and how it works.
Muscle memory
is a concept which has been discussed by sports practitioners and theorists for
an extended period of time, i.e. the idea that if a person practices something
enough it becomes almost a natural reaction. It is only more recently that
science has discovered that this is actually the case, and that there are
actual structures in the brain being built. The discussion of muscle memory
examines some of the concepts and then discusses how old techniques are
difficult to remove and new techniques need to be repeated in a constant and
consistent fashion to be embedded.
For some
speed is an obsession in fencing. It would seem to be the prime motivator of
their game. Speed is an asset, but it is not the only way in which a fencer
should attempt to succeed. There are other elements of fencing which are more
significant. The development of accuracy of technique is always a greater asset
as when this is developed it is of greater use. The best way to develop this is
through slow training.
Slow training
is challenging and it will seem tedious to some, but it is actually a more
efficient way of training for speed than just attempting to perform actions
more and more quickly. Slow training develops precision in the action. This
precision leads to efficiency and it is here that true speed is developed. Slow
training takes actions and examines them closely, removing issues so that the
most accurate action is practiced.
Bibliographic Discussion
Seven
of the articles which have been used in the following investigation concerning
slow training, and will be discussed below, are not directly related to
fencing, swordplay. It could be claimed on this basis that there is nothing
appropriate to be read about the subject, which would be incorrect. To find
information about the subject of slow training and its related subjects it is
necessary and useful to look a little further afield to address the subject
properly.
Icasas’ (2015) “Practice Slow, Learn Fast” on
his How to Suck Less website is a blog discussion about slow training and its
advantages as taught in the Oriental martial arts. He gives the reasons for
slow training and the reasons why it is important to the development of the
student. There are a lot of similarities between the Oriental and western
martial arts in their methods of training. Further, the ideas which Icasas
presents are applicable in their form and application due to the commonalities
of the core principles, the same of which can be said of all martial arts.
Again,
Caile’s (2017) “Viewpoint: The Power of Slow” on the FightingArts.com website
gives a discussion of the advantages of slow training in the martial arts. This
is focussed on the martial arts of the Orient and is aimed at promoting the use
of slow training for the promotion of accurate techniques. The same applies
here as all forms of martial arts are based on Time and Distance, thus the
methods of training also have much overlap as well. It is the foundation
principles which can be used to examine the development of skills.
Ox’s (2016) “Slow in practice means fast in combat” on the
MultiBriefs: Exclusive website is an article about firearms training and the
use of slow training in combat training. It describes the advantages of slow
training in an actual situation and discusses the use of the same training in
other sports as well. He also connects some of the appropriate terminology with
regard to brain function. This connection between the common language and the
appropriate medical jargon is most useful, then there is something to build on,
as will be seen in the following articles. The importance of accurate actions
in combat with firearms cannot be understated. These principles can be applied
to the use of the sword, having the commonality of both being weapons and both
having precision in their actions for high levels of skill. This latest article
would seem to be stretching the field of possible research to its limit,
associating firearms training with swordsmanship, but the principles of
training remain the same. Adding knowledge from modern medicine to understand
what is actually happening in the brain can only be an advantage, thus even
further afield the net can be stretched.
Petrosino’s (2018) “Training to
Build New Neural Pathways” on the Elite FTS: Columnist website is an article
related to weight-lifting. It discusses the use of the brain in gym-training
for the development of neural pathways for the development of correct training
patterns and techniques. This is a discussion of the deep connection between
the actions of the body and the development of the neural pathways which
control those actions. This mental approach, applied to weight-lifting, can be
applied to fencing. The information about brain function increases
understanding of the processes involved.
Duke’s (2015) “Changing Neural
Pathways” on the SportEds.Com website is a discussion of neural pathways and
uses the action of practicing and developing a better golf swing as an example.
It discusses how neural pathways develop in the brain and what is required to
overwrite old ones and properly develop new ones. Neural pathways are what are
commonly referred to as “muscle memory” as can be seen it is actually in the
brain not in the muscles. The golf swing is used as an example but a thrust,
cut or parry could also have been used, and the same would still apply. Simple
skills need to be developed and focus needs to be maintained to truly retain
skills.
Halo Neuroscience’s (2016) “The
Athlete’s Guide to the Brain: Motor Skill Learning” and “The Athlete’s Guide to
the Brain: Hyperplasticity” (2016a) are both primarily promotional material
designed to promote the training programs and products which are presented by
Halo Neuroscience. The former discusses how the brain attains and retains
skills, describing some the actions of the brain using the appropriate jargon
associated. The latter discusses information about how the brain operates in
the acquisition of motor skills and the development of neural pathways. These
both have a general sport focus. Both of these articles discuss the development
of skills which is appropriate to the discussion. The information about how
they are developed is most useful as it gives understanding how and why the
skills develop the way that they do.
Girard’s (1997) Actors On Guard: A Practical Guide for the
Use of the Rapier and Dagger for Stage and Screen is evidently a manual
designed for fight directors and actors. Its information is related to the
subject as it addresses weapons and subjects which are clearly associated with
swordplay and its use. The information from here is about the training of the
actor in the use of these weapons.
Evangelista’s (1996) The Art and Science of Fencing is a
fencing manual addressed to the modern fencer and as such is directly
addressing the subject of fencing, but may seem not so much to the historical
fencer. What needs to be made clear here is that there is a commonality which
is present between arts of the sword, regardless of its form. Such information
about is training is thus useful to all scholars of the blade.
Two sources which will be used
are directly applicable to those who study the historical weapons are Windsor’s
(2013) The Swordsman’s Companion: A
Modern Training Manual for Medieval Longsword, and Farrell’s (2014) Scottish Broadsword and British Singlestick.
The information drawn from these directly addresses the training of historical
weapons and thus is most appropriate for historical swordsmanship. In the same
category of appropriate address is my own recently published, Walker, H. (2019)
Un-Blogged: A Fencer’s Ramblings, which directly addresses both the subject of
historical swordsmanship and also the concept of slow combat and its use in
training. Indeed this investigation is a direct expansion of one of the
articles found in this book, and used in this discussion.
In this discussion it is vital
that information is drawn from as many sources as possible to present both
theory and practice of slow movement training to demonstrate its application
and advantage. This discussion of the sources is designed to point out the
applicable nature of training methods of other sports and pursuits to
historical swordsmanship. Of necessary nature is the theory presented to
reinforce the practice which is presented throughout the various pursuits noted
and, of course historical swordsmanship.
Mind and Body
“Bringing mind and body together on the fencing strip is the ultimate goal of fencing. ... A blending of thought and action supercedes all true effectiveness on the fencing strip. Touches, therefore, become the expression, the outcome, of superb fencing,” (Evangelista, 1996:169)
“All too often, I see people missing the importance of thinking about the muscle-brain connection when it comes to training. And that’s a bit of a shame because creating neural pathways that allow you to train and move correctly is a component of making gains.” (Petrosino, 2018)
Petrosino
(2018) is discussing gym training and weight-lifting and a person would be
surprised that there would be any involvement of the mind at all in that
particular sport. Parallels can be drawn between fencing and the points that
the author is making, in both cases neural pathways, what most people call
“muscle memory”, are a function of the brain, not the body. They are written by
the actions of the body, but they have to be conscious actions to be written
correctly and accurately. The actions have to be thought about; mind first,
body second.
“it is important from the beginning for you to establish the habit of “think then do.” What this means is that you visualize and understand a technique or action before physically committing to it. Think about a technique, know what you are about to do is right, and then do the action.” (Girard, 1997:6)
The idea of
thinking and then doing is presented here by Girard (1997) in his stage
fighting manual for the use of rapier and dagger, meaning that it crosses over
to an area which is familiar to fencers and those involved in swordplay. For
the actor, this idea is used because it means that they are thinking about what
they are doing first, and then doing it, for safety reasons. The fencer can
apply the same sort of approach for training purposes, and tactical reasons;
visualising what they want to perform and what the correct timing is and then
performing the action. The mind element in skill acquisition cannot be avoided;
this is how skills are gained, not by training only the body, but by training
the brain.
“neuroplasticity is what allows for the acquisition and retention of motor skills. By motor skills, we are referring to finely coordinated muscle movements such as batting, putting, and free throws.” (Halo Neuroscience, 2016)
Motor skills, like the ones used
in all forms of swordplay are gained through the virtue of neuroplasticity.
Only through this can we create and modify neural pathways to learn new skills
and to correct mistakes in others learnt previously. To reject the use of the
mind in the pursuit of swordplay and to rely on the acquisition of skills
through purely physical means is a limited approach. Understanding the reasons
for this is an even greater asset.
The end of Part I
The Bibliography will be found at the end of Part III.
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