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Either an author who fences, or a fencer who tends to write a lot. I found a passion for writing first, then I found fencing. I also found that the pen and the sword work very well together. The pen may be mightier than the sword but together they are much greater.

Thursday, November 13, 2014

The Perfect Weapon Length: A Discussion of Weapon Proportion

Introduction

            The original thought for what follows was to seek weapons of perfect length for own purposes. This would be not to go out and actually acquire said weapons, but to examine the lengths and compare them to the ones that I am currently using. Instead, I thought it would be more useful to examine various theorists’ preferences for weapon length, and what follows is not an exhaustive list of weapons or theorists. This can then move on to a discussion of other things related to weapon length such as weapon proportion and its importance.
            With regard to weapon length preference, there is a general organisation between determined and proportional for the examination of the theorist’s preferences. There will also be the question of the importance of choosing a weapon length as several theorists do not designate a weapon preference, the reasons for the choice of weapon length, and how the weapon length relates to both the form of combat and its foundation.
            With regard to the evidence presented, some will come from primary texts and others will come from secondary texts, based on primary texts. The conclusions drawn from the evidence and discussion made with regard to reasons for these choices of weapon length are, however, my own and based upon my own understanding of the various weapons and their use. Please excuse the lack of bibliographical details where they have not been included, in most cases period works simply are referenced by author and date.

Length Determined

            What is most interesting is that some theorists discussed weapon length while others did not. More interestingly is that there is a clear trend for theorists not to discuss the dimensions of the weapon rather than to discuss them. This could come down to a couple of reasons, either the length of the weapon was not considered important, or that the student should be appropriately fitted for his weapon before consulting with the teacher. Another reason could also be is that the weapon length could be decided for a duel, so weapon length would be up to the chooser and thus not appropriate to be discussed in the context of learning. In any case, what will be found below is a mix of weapons proportional and also simply determined.
            The length of a weapon could be chosen for different reasons. The proportional measurement of weapons makes most sense as this fits the weapon to the individual who would be using it and thus, by rationale make it the most suitable weapon for the individual to use. Other measurements of weapons however are simply determined by the author. Swetnam states "thy weapon fowre foot long or there about," (Swetnam, 1617). He gives no rationale simply a statement of fact. It would be assumed that this length of weapon is the one that either he is most comfortable with or has found most suitable for what he is teaching. What is most interesting is that a similar determination for length is also made with regard to the Spanish Tradition.
            While Swetnam gives a weapon length approximate and would seem to indicate a weapon length which may be longer, the Spanish seem to go in the other direction determining the maximum length of the weapon. “According to the canonical authors, the length of the weapon should be no longer than 5/4 vara. That’s an upper limit just a bit over 41 inches.” (Curtis, 2010). This indicates that a weapon should have a maximum length, but a preference for a shorter one. The weapon length determined here is echoed by Pacheco de Narváez and Francisco Lórenz de Rada (Curtis, 2010). This would indicate that for the Spanish tradition it is better to have a weapon shorter than longer, this weapon preference and choice of form and method of play have a clear relation to one another.

Length Proportional

            To broaden the scope and moving on to a shorter, but equally essential weapon, examination needs to be made of Vadi’s determination for dagger length. The length of this weapon is proportional to the user, as are all Vadi’s weapons. He states that “The length of the dagger should be just to the elbow, with an edge and two corners. The grip should be the length of the fist, as the shape is shown depicted here below.” (Windsor, 2012:173). This keeps the dagger proportional to the user, a shorter dagger would not cover the forearm for some of Vadi’s defences and a longer one would likely get in the way.
            Vadi applies a similar reasoning with regard to proportionality with regard to his primary weapon the longsword, “proportionate to the wielder, reaching from the ground to the armpit, with a long hilt, rounded pommel and an equally long, squared and pointed cross guard.” (Porzio and Mele, 2002:12). Clearly the weapon is proportional to the user of the weapon as determined by the length of the weapon overall. What is also noted is that such proportionality in the weapon is further highlighted in the formation of the hilt. The handle is determined to be a span long, and the cross guard, the same length as the handle and pommel together (Porzio and Mele, 2002:45).
Even George Silver states that the two-handed sword needs to be proportional to the user’s other weapons, “The perfect length of your two handed sword is, the blade to be the length of the blade of your single sword.” (Silver, 1599). It should be noted that there was little considered difference between the long and two-handed swords in their description in the treatises. Needless to say, with all of his vehemence against the long Italian weapons, he makes clear statement as to the perfect length of his single sword.

“To know the perfect length of your sword, you shall stand with your sword and dagger drawn, as you see this picture, keeping out straight your dagger arm, drawing back your sword as far as ...

The rest of this article can be found in Un-Blogged: A Fencer's Ramblings by Henry Walker, which is available in paperback from:

Amazon: https://www.amazon.com/Blogged-Ramblings-Henry-Leigh-Walker/dp/098764470X
Booktopia: https://www.booktopia.com.au/un-blogged-henry-leigh-walker/book/9780987644701.html
Among other places...

It is also available in electronic format (pdf) from: https://buy.stripe.com/fZecP419c7CB9VKeUV

... or direct from the author.

Bibliography

Curtis, P. (2010) Destreza: Choosing  a Weapon for the Spanish Tradition http://www.puckandmary.com/blog_puck/2010/12/destreza-choosing-a-weapon-for-the-spanish-tradition/

Porzio, L. and Mele, G. (2002) Arte Gladiatoria Dimicandi: 15th Century Swordsmanship of Master Filippo Vadi, Chivalry Bookshelf, Union City

Windsor, G. (2012) Veni Vadi Vici: A Transcription and Commentary of Philippo Vadi’s De Arte Gladiatoria Dimicandi, The School of European Swordsmanship



Thursday, November 6, 2014

The Saviolo-Shakespeare Connection

Greetings,

This is an unscheduled post to advertise a post on another blog of mine. It is one which should be of interest to those interested in Saviolo, but also those interested in the connections which fencing masters made to their wider communities.

http://oldewordes.blogspot.com.au/2014/11/the-saviolo-shakespeare-connection.html


Cheers,

Henry.